Dance

105. Dance Appreciation. (3 to a maximum of 6 Δ)


110. Modern Dance I. (3 to a maximum of 9 Δ)


113. Introduction to Historical Dance Forms. (3)


116. Mexican Folk Dance I. (3 to a maximum of 12 Δ)


118. Tap I. (3 to a maximum of 9 Δ)


127. African Dance I. (3 to a maximum of 12 Δ)


132. Jazz I. (3 to a maximum of 9 Δ)


149. Ballet I. (3 to a maximum of 9 Δ)


169. Flamenco I. (3 to a maximum of 9 Δ)


170. Hip Hop I. (3 to a maximum of 12 Δ)


201. Crew Practicum. (0)


204. Stretching, Strengthening and Conditioning for the Performing Arts. (3 to a maximum of 15 Δ)


210. Modern Dance II. (3 to a maximum of 12 Δ)


212. Improvisation. (3 to a maximum of 6 Δ)


218. Tap II. (3 to a maximum of 12 Δ)


232. Jazz II. (3 to a maximum of 12 Δ)


249. Ballet II. (3 to a maximum of 12 Δ)


250. Movement Analysis I. (3, no limit Δ)


251. Movement Analysis II. (2)


269. Flamenco II. (3 to a maximum of 12 Δ)


289. Topics in Flamenco. (1-3 to a maximum of 12 Δ)


295. Special Topics in Dance. (1-3 to a maximum of 12 Δ)


304 / 504. Theories of Movement. (3)


305 / 505. Stretch, Strength and Conditioning for Performance Arts II. (3 to a maximum of 15 Δ)


308. Studies in Dance Forms. (1-3 to a maximum of 12 Δ)


310. Modern Dance III. (3 to a maximum of 12 Δ)


311. Choreography I. (3 to a maximum of 6 Δ)


313. Kinesiology. (3, no limit Δ)


327. African Dance II. (3 to a maximum of 12 Δ)


349. Ballet III. (3 to a maximum of 12 Δ)


369. Flamenco III. (3 to a maximum of 12 Δ)


370. Hip Hop II. (3 to a maximum of 12 Δ)


379. Flamenco Structure/Improvisation. (3)


411 / 511. Choreography II. (3 to a maximum of 6 Δ)


412. Senior Performance. (2)


416 / 516. Dance Pedagogy. (3)


431 / 531. Writing About Dance [Dance Criticism] . (3)


450 / 550. Movement Analysis III. (3)


462 / 562. Dance History I. (3)


463 / 563. Dance History II. (3)


464 / 564. Dance History III. (3)


465 / 565. History of African-American Dance in Performance. (3)


466 / 566. Flamenco History. (3)


479 / 579. Flamenco Choreography. (3)


*484. Evaluating the Arts. (3)


487 / 587. Contemporary Interdisciplinary Topics. (3 to a maximum of 6 Δ)


495. Special Studies in Dance. (1-3 to a maximum of 12 Δ)


496 / 596. Student Production Project. (1-3 to a maximum of 12 Δ)


497 / 597. Independent Study. (1-3 to a maximum of 12 Δ)


499. Departmental Honors. (3-6 to a maximum of 12 Δ)


500. Introduction to Graduate Study. (3)


503. Performance Theory. (3)


504 / 304. Theories of Movement. (3 to a maximum of 6 Δ)


505 / 305. Stretch, Strength and Conditioning for Performance Arts II. (3 to a maximum of 15 Δ)


506. Critical Issues in the Performing Arts. (3)


509. Graduate Internship. (3-6 to a maximum of 12 Δ)


510. Creative Investigations I. (3 to a maximum of 6 Δ)


511 / 411. Choreography II. (3 to a maximum of 6 Δ)


512. Graduate Seminar. (3 to a maximum of 12 Δ)


515. Creative Investigations II. (3 to a maximum of 6 Δ)


516 / 416. Dance Pedagogy. (3)


531 / 431. Writing About Dance [Dance Criticism] . (3)


549. Dance Technique for Graduate Student. (1-4 Δ)


550 / 450. Movement Analysis III. (3)


551 / 552. Problems. (1-3 to a maximum of 12 Δ)


562 / 462. Dance History I. (3)


563. Dance History II. (3)


564 / 464. Dance History III. (3)


565 / 465. History of African-American Dance in Performance. (3)


566 / 466. Flamenco History. (3)


579 / 479. Flamenco Choreography. (3)


587 / 487. Contemporary Interdisciplinary Topics. (3 to a maximum of 6 Δ)


596 / 496. Student Production Project. (1-3 to a maximum of 12 Δ)


597 / 497. Independent Study. (1-3 to a maximum of 12 Δ)


598. Master’s Essay in Theatre and Dance. (3)


599. Master’s Thesis. (1-6, no limit Δ)


699. Dissertation. (3-6, no limit Δ)


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Office of the Registrar

MSC 11 6325
1 University of New Mexico
Albuquerque, NM 87131

Phone: (505) 277-8900
Fax: (505) 277-6809