Music

101. Concert Music. (0, no limit Δ)


102. Music Theory for the Non-Major. (3)


109. Group Voice I. (1, no limit Δ)


110. Group Voice II. (1, no limit Δ)


111. Group Piano I. (1, no limit Δ)


112. Group Piano II. (1, no limit Δ)


113. Mexican Guitar. (1)


114. Mexican Guitar. (1)


116. Group Guitar I. (2)


117. Group Guitar II. (2)


130. Music Fundamentals. (3)


139. Music Appreciation. (3)


142. Rock Music Appreciation. (3)


143. University Chorus. (1, no limit Δ)


150. Music Theory I. (2 [4])


150L. Music Theory I Aural Lab. (2 [0])


152. Music Theory II. (2 [4])


152L. Music Theory II Aural Lab. (2 [0])


170. String Pedagogy Seminar I. (2 to a maximum of 4 Δ)


170L. String Pedagogy Lab I. (1 to a maximum of 2 Δ)


172. Jazz History. (3)


209. Diction for Singers I. (2)


210. Diction for Singers II. (2)


211. Group Piano III. (1, no limit Δ)


212. Group Piano IV. (1, no limit Δ)


230. Opera Studio. (1, no limit Δ)


231. Chamber Music. (1, no limit Δ)


232. Early Music Ensemble. (1, no limit Δ)


233. Symphony Orchestra. (1, no limit Δ)


234. Jazz Band. (1, no limit Δ)


236. Introduction to Improvisation. (1 to a maximum of 3 Δ)


237. Jazz Improvisation I. (1)


238. Jazz Theory/Keyboard. (2)


241. University Band. (1, no limit Δ)


243. Concert Choir. (1, no limit Δ)


250. Music Theory III. (2 [4])


250L. Music Theory III Aural Lab. (2 [0])


252. Music Theory IV. (2 [4])


252L. Music Theory IV Aural Lab. (2 [0])


254. Introduction to Composition in the Western Tradition. (2)


266. Singing for Actors. (2)


270. String Pedagogy Seminar II. (2 to a maximum of 4 Δ)


270L. String Pedagogy Lab II. (1 to a maximum of 2 Δ)


271. Music Today. (3)


305. Composition I. (2)


306. Composition II. (2)


309. Form and Analysis. (2)


311 / 511. Computer Applications I. (2)


325 / 525. Post-Tonal Theory. (3)


336. Jazz Improvisation II. (1)


337. Jazz Improvisation III. (1)


338. Jazz Arranging. (2)


343. Selected Topics in Jazz Studies. (3, no limit Δ)


351. Undergraduate Problems. (1-3 to a maximum of 12 Δ)


361. History of Music I. (3)


362. History of Music II. (3)


363. Conducting. (2)


365. Instrumental Conducting. (2)


370. String Pedagogy Seminar III. (2 to a maximum of 4 Δ)


370L. String Pedagogy Lab III. (1 to a maximum of 2 Δ)


371. Music History for Non-Majors. (3)


373. Folk Music of North America. (3)


375. The Beatles' Musical Revolution. (3)


380 / 580. Recording Techniques I. (2)


388 / 588. Music Pedagogy. (2, no limit Δ)


389 / 589. Music Pedagogy. (2, no limit Δ)


395 / 595. Accompanying. (1, no limit Δ)


405 / 505. Sixteenth-Century Counterpoint. (2)


406 / 506. Eighteenth-Century Counterpoint. (2)


409. Composition III. (2)


410. Composition IV. (2)


412 / 512. Computer Applications II. (2)


413 / 513. Studies in Medieval and Renaissance Music. (3)


414 / 514. Studies in Baroque Music. (3)


415 / 515. Studies in Classic and Romantic Music. (3)


416 / 516. Studies in Twentieth-Century Music. (3)


417 / 517. Native American Music. (3)


418 / 518. Alaska Native Music and Culture. (3)


422 / 522. Indigenous World Music. (3)


430 [*430]. Advanced Opera Studio. (1, no limit Δ)


435 / 535. Special Topics in Music. (1-3, no limit Δ)


436 / 536. Selected Topics in Contemporary World Music. (3, no limit Δ)


437 / 537. Selected Topics in Music Literature. (3, no limit Δ)


439 / 539. Selected Topics in Music Theory. (3, no limit Δ)


444 / 544. Anthropology of World Beat. (3)


448 / 548. The Anthropology of Music and Sound. (3)


449 / 549. Music Repertory. (2, no limit Δ)


453. Orchestration. (2)


470. String Pedagogy Seminar IV. (2 to a maximum of 4 Δ)


470L. String Pedagogy Lab IV. (1 to a maximum of 2 Δ)


472. String Pedagogy Recital. (2)


481 / 581. Recording Techniques II. (2)


*484. Evaluating the Arts. (3)


487 / 587. Contemporary Interdisciplinary Topics. (3 to a maximum of 6 Δ)


499. Senior Thesis. (3-6 to a maximum of 6 Δ)


505 / 405. Sixteenth-Century Counterpoint. (2)


506 / 406. Eighteenth-Century Counterpoint. (2)


511 / 311. Computer Applications I. (2)


512 / 412. Computer Applications II. (2)


513 / 413. Studies in Medieval and Renaissance Music. (3)


514 / 414. Studies in Baroque Music. (3)


515 / 415. Studies in Classic and Romantic Music. (3)


516 / 416. Studies in Twentieth-Century Music. (3)


517 / 417. Native American Music. (3)


518 / 418. Alaska Native Music and Culture. (3)


522 / 422. Indigenous World Music. (3)


525 / 325. Post-Tonal Theory. (3)


527. Theory Pedagogy. (3)


528. Music Styles Before 1750. (3)


529. Techniques of Twentieth-Century Composition. (3)


531. Bibliography and Research. (3)


535 / 435. Special Topics in Music. (1-3, no limit Δ)


536 / 436. Selected Topics in Contemporary World Music. (3, no limit Δ)


537 / 437. Selected Topics in Music Literature. (3, no limit Δ)


539 / 439. Selected Topics in Music Theory. (3, no limit Δ)


544 / 444. Anthropology of World Beat. (3)


548 / 448. The Anthropology of Music and Sound. (3)


549 / 449. Music Repertory. (2, no limit Δ)


551. Graduate Problems. (1-3 to a maximum of 12 Δ)


560. Ensemble Performance. (1, no limit Δ)


565. Advanced Instrumental Conducting. (2)


571. Conducting Seminar. (2 to a maximum of 12 Δ)


572. Advanced Conducting Seminar. (2 to a maximum of 8 Δ)


580 / 380. Recording Techniques I. (2)


581 / 481. Recording Techniques II. (2)


584. Problems in Interdisciplinary Studies. (3 to a maximum of 6 Δ)


587 / 487. Contemporary Interdisciplinary Topics. (3 to a maximum of 6 Δ)


588 / 388. Music Pedagogy. (2, no limit Δ)


589 / 389. Music Pedagogy. (2, no limit Δ)


595 / 395. Accompanying. (1, no limit Δ)


599. Master’s Thesis. (1-6, no limit Δ)


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Office of the Registrar

MSC 11 6325
1 University of New Mexico
Albuquerque, NM 87131

Phone: (505) 277-8900
Fax: (505) 277-6809