Graduate Program

    Graduate Programs

    Director of Graduate Studies
    Justine Andrews, Ph.D.

    Application Deadlines
    Fall Admission: January 15
    *Spring Admission: November 15

    * Spring admissions are only allowed for the University of New Mexico Art History M.A. students who complete their M.A. program in the fall and are accepted into the Ph.D. program.


    Degrees Offered

    M.A. Major: Art History
    M.F.A. Major: Art Studio
    Ph.D. Major: Art History

    The Department offers degrees in two fields: art studio and art history. In art studio the degree is the Master of Fine Arts. Students can focus on painting and drawing, photography, printmaking, art and ecology, electronic arts, or 3D; in art history the degrees are the Master of Arts and the Doctor of Philosophy with a concentration in either the Arts of the Americas or the Arts of the Modern World.

    All students admitted to the graduate studio program are given studio space on campus. Admission is selective and limited by the number of studio spaces available. All photography graduate students are given both darkroom and individual studio spaces.

    NOTE: The art studio printmaking program and the art history programs in Arts of the Modern World and Arts of the Americas (both M.A. and Ph.D.) are recognized by the Western Interstate Commission on Higher Education (WICHE) for inclusion in their Out-of-State Programs at In-State Tuition. Qualified residents of the 15 participating states in the Commission may enroll at reduced tuition rates in these three programs.

    The general requirements of the University for the M.A. and Ph.D. degrees are given in earlier pages of this catalog. The requirements for the M.F.A. are given within this departmental text.

    Financial Assistance

    The Department has a limited number of graduate and teaching assistantships to offer graduate students. These are generally available after the first year in the graduate program. Assistantships are dependent upon departmental need. The appointments are usually .25 FTE and made on a semester to semester basis. Students must be enrolled for at least 6 semester graduate credit hours during this appointment.


    Graduate Minor in Museum Studies

    The Graduate Minor in Museum Studies is intended to be an interdisciplinary program that emphasizes mentoring and
    collaborative opportunities through a combination of structured work experiences, academic instruction, supervised internships, and short-term professional workshops and training courses. Additional emphasis will be placed on collection care, management, and preservation.

    The Graduate Minor in Museum Studies requires 9 hours of course work and 6 hours of internship for a total of 15 hours.

    Internship opportunities will be created at a number of museums on the University of New Mexico campus and around the state. Each internship will have a specific relation to the needs of the institution and its collections. Students will be able to apply for internships at specific museums. The application process will be competitive and based on selection
    criteria established by the specific internship’s requirements.

    The minor is available to any student enrolled in a graduate degree program. Once completed the minor designation will appear on a student’s transcript.

    The minor is distributed as follows:

      Required Core Courses
    MSST 507     
    Museum Practices 3
    MSST 585 Seminar in Museum Methods      
    3
      Museum Topics Courses 3
    MSST 529 Topics in Art History 3
     
    Internship 6
    MSST 586 Practicum: Museum Methods 3

    Art Studio Degree, M.F.A.

    The M.F.A. is the terminal degree in art studio. It is designed to afford the student an opportunity to amplify his or her abilities as a professional artist. As such it provides the opportunity for the individual to focus on the creative aspects of their work. The M.F.A. usually requires at least three years of intensive study and research beyond the bachelor’s degree. Although the formal requirements for the M.F.A. are in some respects comparable to doctoral degrees in other fields, the scope and objectives of the M.F.A. degree are uniquely different. As such, the M.F.A. degree represents strong creative achievement in studio art, an assured grasp of an area of focus, a sound knowledge of critical and historical artistic thought about art, and demonstrated expertise in conceiving and executing a significant body of creative work. Thus, as with the doctoral degree, its achievement is no mere matter of meeting requirements.

    It requires a dedication to the creative aspects of the studio work culminating in a dissertation that entails planning, installing, and documenting a solo exhibition of the student’s own creative work, producing a catalog, and giving an oral public presentation.

    Course Work Requirements

    The M.F.A. degree requires a minimum of 48 hours of course work. Thirty-six of these hours must be completed at the University of New Mexico, of which at least 18, exclusive of dissertation hours, must be taken after admission to the M.F.A. program.

    Transfer/Application of Credit

    With the approval of the graduate unit, up to 12 hours of the course work requirements for an M.F.A. may consist of a combination of the following: graduate-level credit taken at another accredited institution, application of credit in graduate-level courses earned while the student was in non-degree or undergraduate status or graduate-level University of New Mexico extension courses. These credits may be applied or transferred provided that:

    1. the course work has not been counted toward a previous degree;
    2. grades of B or better were earned;
    3. the student has already completed at least 12 hours of graduate work in the M.F.A. program at the University;
    4. the application/transfer of these credits is approved by the Committee on Studies and the Department Director of Graduate Studies in the student’s Application for Candidacy;
    5. the application/transfer of these credits is approved by the Dean of Graduate Studies.

    Admission to the Studio Program

    NOTE: Studio areas of focus are: painting and drawing, photography, printmaking, art and ecology, electronic arts, and 3D.

    A prospective student in the graduate studio program must have completed an undergraduate degree including 42 hours in studio courses and 18 hours in art history. Any deficiencies in the required preparation must be removed during the first year of course work for the degree. As part of the application for admission to graduate study, the student must submit materials as follows:

    1. Application for Admission, Registration Information and application fee.
    2. Two sets of official transcripts from all institutions previously attended, send directly to the Department.
    3. Three letters of recommendation.
    4. Statement of Intent. A clearly written statement of intent describing in detail reasons for wishing admission. This statement, no more than three pages in length (typewritten), should include the following:
      • a.) information about the major and the proposed focus (painting and drawing, photography, printmaking, 3D);
      • b.) a self-evaluation of current work;
      • c.) an account of any special experiences which might indicate a background in art more extensive than most students with a B.A. or a B.F.A. degree;
      • d.) a statement of goals while attending and after completing graduate study;
      • e.) reasons for choosing the University of New Mexico as a place for graduate study. In evaluating this written statement, both its form and content will be carefully considered.
    5. Portfolio. Applicants should submit work in a form that represents them best. This can include, but is not limited to, slides, original prints, CD-ROMs (specify Macintosh or PC), DVDs, and VHS. We take reasonable care but cannot be responsible for loss or damage. A combination of prints, slides (no more than 20), or other media is acceptable based on the uniqueness, size, or nature of your work. You may provide your work in any form that may be viewed directly on standard equipment (CD, DVD, VCR) but we take no responsibility for incompatibility or media failure. It is your responsibility to represent yourself well in this context; avoid complex presentations and excessive packaging. Also expected are:
      • a. an identifying list with information on the date, medium, and dimensions of each work.
      • b. a check or money order (no stamps) to provide sufficient funds for the return of the portfolio via U.S. Postal Service.

    NOTE: For slide portfolios, fifteen to twenty 2" x 2" color slides must be sent in a standard 80-slide carousel tray. In addition to the information requested above, each slide must be labeled with the applicant’s name.

    All items mentioned above should be sent to the Graduate Office, Department of Art and Art History, MSC04 2560, 1 University of New Mexico, Albuquerque, NM 87131-0001. Phone: (505) 277-6672.


    M.F.A. Degree Requirements

    ARTS 502 Interdisciplinary Seminar 3
    ARTS credits (in addition to 502) 21
    ARTH credits  
    6
    Electives Six hours outside studio 18
     
    Six hours outside the department  
     
    Six hours any area  
    ARTS 699 Dissertation (solo exhibition and catalog) 12
    Total  
    60

     
    Transfer Credits 

    A maximum of 12 hours of graduate work at another institution or from non-degree status at the University of New Mexico are transferable to the M.F.A. program. Courses taken as extension credit at other universities are not accepted for graduate credit at the University of New Mexico.

    NOTE: Transfer of credits is not automatic with admission. The student’s Committee on Studies will determine the number, if any, allowable for transfer. Transfer credit is limited to 12 hours. Aside from this limitation, all other conditions of transfer noted in the doctoral description in the Graduate Program section of this catalog apply equally to the M.F.A.

    Course Work

    In their first fall semester of work, all students entering the M.F.A. program must enroll in Art Studio 502, Interdisciplinary Seminar.

    Creative work is undertaken through graduate courses, topics courses, and one-on-one tutorial instruction.

    Elective course work will be determined by the student’s particular needs and shall be undertaken only with the advice and approval of the Department Director of Graduate Studies and the student’s Committee on Studies. At least 18 hours exclusive of dissertation must be taken in courses numbered 500 or above completed at the University of New Mexico and no more than 24 hours exclusive of dissertation may be taken with a single professor.

    Additional Requirements

    1. All students will be required to attend orientation and safety meetings before the start of the semester. Students are required to enroll in the Graduate Shop Foundations course offered every Fall semester.
    2. Graduate Reviews. In each of the first two semesters, students will participate in a review of their current and ongoing work. The review is open to faculty and students, and the public. These reviews will be conducted by a four-member faculty committee.
    3. Committee on Studies. Each student will be assisted by the Department of Art and Art History Graduate Office in planning a program of studies until such time as they form their Committee on Studies. The formation of the Committee on Studies should take place before the end of the second semester of study.
      Duties of a Committee on Studies:

      a.) to conduct the M.F.A. Qualifying Review, which takes place at the beginning of the third semester.
      b.) to advise and assist the student in planning their program through the completion of degree requirements. This includes determining any transfer credit acceptable, the nature of elective courses and the approval of a specific dissertation program.
      c.) to conduct the Advancement to Candidacy/ Comprehensive Examination during the fifth semester of study.
      d.) to evaluate the exhibition work and dissertation or catalog/public presentation and submit M.F.A. Final Examination Reports.

    Formation of Committee on Studies

    The formation of the Committee on Studies is done in consultation with the Department Director of Graduate Studies and the approval of the Department Chairperson. The process begins with the student finding a qualified faculty member (all full-time, regular faculty are qualified), normally in the student's area of focus, who is willing to serve as Committee Chairperson. Together they select three additional willing members, one of whom must be from outside the studio area. This faculty member may be from Art History or another department. A Committee on Studies Approval Form is submitted to the Department Director of Graduate Studies for approval by the Department Chairperson and for forwarding to the Office of Graduate Studies. Changes in the membership of the committee are also made in consultation with the Department Director of Graduate Studies and with the approval of the Department Chairperson.

    Once the Committee on Studies has been established, it assumes the responsibility for guiding the student in academic and procedural matters. This in no way relieves the graduate student of his or her responsibility for complying with all regulations of the Department, College, and University, as stated elsewhere in this catalog.

    Any grievance or conflict between students, faculty, staff, or administrators regarding graduate student matters shall be taken to the following, in this order, in an attempt to resolve the issue:

    1. Chairperson of the student’s Committee on Studies
    2. Department Director of Graduate Studies
    3. Department Graduate Committee
    4. Chairperson of the Department
    5. College Graduate Committee
    6. Dean of the College
    7. Dean of the Office of Graduate Studies
    8. Faculty Senate Graduate Committee

    M.F.A. Qualifying Review

    1. The four-member Committee on Studies will comprise the Qualifying Examination Committee.
    2. The exam will be given during the 12th week of the regular semester immediately after the student completes 18 graduate credits and has had two successful graduate reviews.
    3. This examination consists of three parts:
      a.) a review of a comprehensive selection of the student’s work.
      b.) presentation of a formal typed essay of 7–12 pages (2,400–4,200 words) on the work to be reviewed (to be distributed to each committee member and the Department Graduate Office at least three days prior to the review).
      c.) an oral defense of the work by the candidate.
    4. The candidate will be informed at the conclusion of the exam of the results, which must be one of the following:
      a.) Pass, granted by the exam committee.
      b.) Fail with option granted by the review committee for a single retake. The second exam will be given following completion of at least a 3-credit tutorial with the Chairperson of the Committee on Studies. A second failure will result in being dropped from the program for unsatisfactory progress toward the degree.
      c.) Fail with no retest. The student will be dropped from the program for unsatisfactory progress toward the degree. 

    Residence Requirement

    The M.F.A. degree shall require at least 36 hours of course work completed at the University of New Mexico, of which at least 18 hours must be taken after admission to the M.F.A. program (exclusive of dissertation hours).

    Advancement to Candidacy and Comprehensive Examination

    Between the Qualifying Review and Advancement to Candidacy, the student should meet on a regular basis (at least once a semester) with their Committee on Studies to plan and monitor the program of studies and to review their creative work.

    Admission to graduate study and a successful Qualifying Review do not imply Advancement to Candidacy for a degree. The M.F.A. student must formally apply for and be admitted to candidacy for the degree. The Application for Candidacy is the vehicle that formally establishes the student’s program of studies.

    In order to be advanced to candidacy, the student must file an Application for Candidacy and have a formal Advancement to Candidacy and Comprehensive Examination meeting. The Application for Candidacy is filed when the student has completed the majority of their course work (40–45 hours) and can, with some confidence, project the remaining courses in their program of studies. The Announcement of the Comprehensive Examination is filed with the Application for Candidacy and Appointment of Dissertation Committee form. In any event, the examination must be held no later than the semester before the student registers for dissertation hours.

    The purpose of the Comprehensive Examination meeting is for the Committee on Studies to:

    1. Certify that the Residency Requirement has been met.
    2. Review the work and give an oral Comprehensive Examination in order to establish the following:
      a.) that an outline of the student’s dissertation, exhibition, catalog, and public talk is sufficient to allow the student to undertake his research.
      b.) that the student’s general knowledge of critical and historical issues in art is at a level expected of an M.F.A. candidate.

    If problems arise with any of the above, the Committee may choose to meet again after the student has had sufficient time to remedy any shortcomings. In this case, a written summary of what is expected in the way of additional course work or preparation needed for advancement must be furnished to the student (with a copy to the Department Director of Graduate Studies).

    Approval of candidacy will be granted by the Dean of Graduate Studies only after the residency requirement is met and the program of studies has been approved by the Committee on Studies and the Department Director of Graduate Studies, providing the student has passed their comprehensive exam.

    Approval of Candidacy in no way implies successful completion of the M.F.A. degree.

    Dissertation Hours

    Enrollment in Dissertation (699) may not begin prior to the semester in which the student is Advanced to Candidacy and passed the comprehensive exam.

    Once the student has enrolled for Art Studio/Art History dissertation (699), he or she must maintain continuous enrollment (exclusive of summer session) until the dissertation/final project is accepted by the Committee on Studies and the Dean of the Office of Graduate Studies. In extraordinary circumstances, the Dean of the Office of Graduate Studies may waive the requirement for continuous enrollment upon presentation of a written request from the committee chairperson and the graduate unit.

    M.F.A. candidates must be enrolled during the semester in which they graduate, including the summer session.

    Creative work done for the dissertation is substantially new work executed specifically for the final exhibition. The exhibition is in no way to be thought of as a retrospective of work done through class or tutorial instruction.

    The dissertation/final project will consist of:

    1. a solo exhibition of studio work organized and installed by the student;
    2. an exhibition catalog assembled by the student, which includes a written essay about or related to the issues represented in the creative work (10-15 pp. in length); and
    3. a public presentation, a talk, or event that informs the audience about the nature of the creative process involved in the creation of the work.

    Time Limit to Complete Requirements

    A candidate for the M.F.A. will have five years for completion of all degree requirements from the date the student is formally advanced to candidacy by the Dean of the Office of Graduate Studies. Under extenuating circumstances, a student may request an extension of this time limit in writing but it must be done prior to the end of the time limit. The request must be supported by his or her Committee on Studies, the Department Graduate Director, the Department Chairperson and approved by the Dean of the Office of Graduate Studies.

    Notification of Intent to Graduate

    The semester before the student intends to graduate, the student should inform the Department Graduate Office and, through it, the Office of Graduate Studies, of the intention to complete all degree requirements during the semester. Degrees are awarded three times during the year; commencement exercises are held in May and December.

    The Final Examination

    The M.F.A. Final Oral Examination will be given in conjunction with the exhibition of creative work. The Committee on Studies and other such persons as the Dean of the Office of Graduate Studies may require to be present will conduct the examination.

    The examination will cover the exhibition (the studio work and its installation), final copy of the exhibition catalog, and the public presentation. In order for the student to graduate in a given semester, the examination must be held no later than the published dates in November, April, and July.

    The student must notify the Office of Graduate Studies at least two weeks before the date of the examination on the forms available. Results of the examination are recorded on the reverse side of the final examination announcement form. The student is responsible for initiating the procedure and making sure that the original notice is sent to the Office of Graduate Studies.

    At the conclusion of the examination, the voting members shall confer in camera and vote their recommendations. The Committee may 1) recommend that the exhibition, catalog, and public talk be approved without change; 2) recommend that the exhibition, catalog, and public talk be approved subject only to minor corrections, editorial or otherwise; or 3) require the catalog be revised before approval. In the case of 1) or 2), no further meeting of the Committee will be required. The Chairperson of the Committee will be responsible for seeing that the corrections are made. In the case of 3), the full Committee must determine if their recommendations have been fulfilled.

    Two original copies of the catalog, six slides and six or more digital files such as jpgs, shall be deposited with the Department Graduate Office, as a permanent record of the visual work.


    The Department of Art and Art History’s Responsibility

    The Department of Art and Art History’s responsibility includes the evaluation of the creative work exhibited for the solo exhibition, catalog, and public presentation. The Department Director of Graduate Studies will verify to the Dean of the Office of Graduate Studies on designated forms the departmental approval.


    M.F.A. to focus on lithography

    Tamarind Institute and Department of Art and Art History, University of New Mexico

    In addition to its Professional Printer Training and Master Printer Training programs, Tamarind Institute now offers, in cooperation with the University of New Mexico’s Department of Art and Art History, the option of pursuing an M.F.A. upon completion of the Tamarind program. Degree requirements can normally be completed in three years. Credit hours taken at Tamarind can be applied to the M.F.A. program.

    All students must have a strong interest in collaborative printmaking as Tamarind’s programs focus on the acquisition of the technical and interpersonal skills for collaborative lithography. Students apply directly to TI for admission to the Professional Printer Training Program, and all students must complete the first year Professional Printer Training at Tamarind. This intensive program requires a time commitment of a minimum of 60 hours per week.

    At the end of the Fall semester of the Professional Printer Training Program, students who wish to pursue the M.F.A. must apply for admission to graduate study to the University of New Mexico by January 15. The M.F.A. is the terminal degree in studio art and emphasizes the creative aspects of an individual’s work.

    Students must meet all the criteria and be accepted by Art and Art History in order to pursue the M.F.A. after completing the Professional Printer Training Program at Tamarind. Acceptance into the M.F.A. program is not guaranteed. Those who wish to be assured of having a place in the M.F.A. program for the second year must be accepted simultaneously to Tamarind and Art and Art History (note that Art and Art History’s deadline for admission is January 15; Tamarind’s is February 1). Accepted candidates who do not participate in the Master Printer Program at Tamarind (only 1 – 3 candidates are accepted into this program each year) will complete years 2 and 3 in Art and Art History. See below for M.F.A. degree requirements.

    During the Spring semester of the Professional Printer Training Program, students interested in pursuing the Tamarind Master Printer Program must submit an application to the Master Printer Training Program at Tamarind. If accepted to the Master Printer Program, M.F.A. students stay at Tamarind for year 2, then complete A&AH requirements during year 3. M.F.A./Master Printer Program students receive a stipend from TI, and must register for 12 credit hours each semester while in the Master Printer Program. All M.F.A. students must take the Methods course in the Fall semester of the second year and the Interdisciplinary Seminar in the Fall semester of the third year.

    Students who have completed the Professional Printer Training Program but do not wish to pursue the M.F.A. will also have the opportunity to apply for the Master Printer program. If accepted, they will receive a stipend, but they will not be required to register for credit.

    Course requirements: Tamarind 1 year + 2 years M.F.A.

    Fall 1 (Tamarind)  
      Professional Lithography I (4-AS)
      Lithography Workshop (2-AS)
    Spring 1 (Tamarind)  
      Professional Lithography II (3-AS)
      History of Graphic Arts II (3-AH)
      Total Non-Degree Hours= 12
      Students must be enrolled as a Non-Degree Student during their first year  
      Students must be accepted into the M.F.A. program their second year.  
      Students will need to fulfill these remaining M.F.A. credit hour requirements in years 2 and 3:  
      Art Studio 502 Interdisciplinary Seminar (must be taken Fall 2) 3
      Art Studio courses 12
      Art History courses 3
      Electives outside of studio 6
      Electives outside of department 6
      Free electives 6
      Hours from M.F.A. program 36
      Hours from TI (non-degree) +12
      required for M.F.A. 48
      Dissertation hours +12
      TOTAL HOURS REQUIRED FOR M.F.A. DEGREE 60

     
    Course requirements: Tamarind 2 years + 1 year M.F.A.

    Fall 1 (Tamarind)  
      Professional Lithography I (4-AS)
      Lithography Workshop I (2-AS)
    Spring 1 (Tamarind)  
      Professional Lithography II (3-AS)
      History of Graphic Arts II (3-AH)
      TOTAL NON-DEGREE HOURS= 12
      Students must be enrolled as a Non-Degree Student during their first year.  
      Students must be accepted into the M.F.A. program their second year.  
    Fall 2 Art History 500 Philosophy and Methods 3
      Art Studio 595 Graduate tutorials with Tamarind instructors (Master Printer Program) 9
    Spring 2 Art Studio 595 Graduate tutorials with Tamarind instructors (Master Printer Program) 12
    Fall 3 Art Studio 502 Interdisciplinary Seminar 9
      Any 500-level graduate art studio or art history courses  
    Spring 3 Art Studio 699 Dissertation 12
    Subtotal Art Studio (9 from non-degree) 33-42
      Art History (3 from non-degree) 6-15
    Total Required for M.F.A. 48
      Dissertation hours +12
      Total required for M.F.A. Degree 60

     
    More information on Department of Art and Art History's graduate program, as well as links to the University's Office of Graduate Studies, can be found at http://www.unm.edu/artdept/graduate_programs/

    Tamarind Institute is a division of the College of Fine Arts of the University of New Mexico.


    Admission to the Art History Programs

    Applicants for admission to the M.A. program should preferably have an undergraduate major in the history of art with a minimum of 24 semester hours (or the equivalent as approved by the admitting faculty) as well as advanced courses in history, literature, and philosophy. Any deficiencies in this required preparation must be removed during the first year of course work for the degree. Graduate credit will not be given for courses taken to remove a deficiency, but graduate courses may be taken concurrently. Prospective students should note that candidates for the M.A. degree will be required to demonstrate a general knowledge of the history of art.

    In preparing an application for admission to the doctoral program, the potential candidate is urged to state aims clearly and to specify the field of art history to be investigated. A candidate will not be accepted unless these aims fall within the scope of the University’s program and unless the Department believes these aims can be realized. Field work and travel will inevitably be necessary in support of research at the doctoral level.

    Applicants for admission to the Ph.D. program should have an M.A. in art history or, in exceptional circumstances as approved by the admitting faculty, in such cognate disciplines as history, anthropology, archaeology, or American Studies. Those admitted to the Ph.D. program without an M.A. in art history may be required to take additional graduate courses beyond the minimum Ph.D. requirement of 48 hours of course work; in all cases they must take and pass the M.A. comprehensive examination.

    As part of the application for admission to graduate study, the student must submit materials as follows:

    1. Application for Admission, Registration Information and application fee.
    2. Two sets of official transcripts from all institutions previously attended.
    3. Three Letters of Recommendation.
    4. Statement of Intent. A clearly written statement of intent describing in detail reasons for wishing admission. This statement, no more than three pages in length (typewritten), should include the following:
      a.) the proposed field of concentration;
      b.) a self-evaluation of current work;
      c.) an account of any special experiences which might indicate a background in art more extensive than most students with a B.A. degree;
      d.) a statement of goals while attending and after completing graduate study;
      e.) reasons for choosing the University of New Mexico as a place for graduate study.
      In evaluating this written statement, both its form and content will be carefully considered.
      5. Writing Sample. A recent example of creative scholarship in the form of an academic paper or article must be submitted for evaluation. This material will not be returned unless accompanied by a stamped, self-addressed envelope.

    All items mentioned above should be mailed directly to the Graduate Office, Department of Art and Art History, MSC04 2560, 1 University of New Mexico, Albuquerque, NM 87131-0001.


    M.A. Degree Requirements

    Art History

    The M.A. degree in Art History is offered in two concentrations.  Each has its own specific requirements and course distribution.  Each student must select either:

    Concentration in Art History
    or
    Concentration in Arts of the Americas

    The M.A. degree in Art History is only offered under Plan I (requiring thesis). Plan I requirements are:

    1. A minimum of 24 hours of coursework
    2. A minimum of 6 hours of 500-level coursework
    3. A maximum of 6 hours of topics (529) courses
    4. Six hours of Thesis (599) credit
    5. Completion of a master's thesis

    M.A. in Art History: Concentration in Art History

    Degree Requirements

    ARTH 500 Philosophy and Methods of Art History 3
    ARTH graduate courses in Pre Modern emphasis (pre 1400CE)
    6
    ARTH graduate courses in Early Modern emphasis (c. 1400-1750CE)
    6
    ARTH graduate courses in Modern and Contemporary emphasis (c. 1750-the present) 9
      Minimum coursework listed above 24
    ARTH 599 Master's Thesis 6
      Total 30

    All work offered toward degree requirements must fall within a five-year period.  Transfer credits must fall within the OGS-mandated seven-year period.

    There is, of course, some overlap between many of these areas of emphasis.  In each case, the nature of these concerns will vary owing to the predominant body of monuments being analyzed and the specific media whereby these artworks are produced.  For example, the African American Art course, while placed in the Modern and Contemporary category, can also encompass all three chronological areas of emphasis.  Courses that cover more than one emphasis can potentially be used flexibly in the Program of Studies, however one class cannot be used to simultaneously fulfill two requirements. For example, if you apply your African American Art class to Early Modern Art, it cannot also be applied to Contemporary Art.  You should discuss this with your committee chair and the graduate advisor if you have taken seminars that cover more than one area of focus. 

    Courses marked with an asterisk are available for Graduate Credit.

    While Art History 550 and 551 (Graduate Problems Courses) are available, M.A. students will be limited to one 3-hour Graduate Problems Course, as approved by her or his Committee on Studies.  A student may also petition his or her Committee on Studies to approve a substitute course from another Department, if it is closely related to the student’s specific Concentration or Emphasis.

    A. Pre-Modern Emphasis
    *343 Pre-Columbian Architecture
    505 Pre-Historic Art
    511 Pre-Columbian Art: Mesoamerica
    512 Pre-Columbian Art: South America
    531 Byzantine Art and Architecture
    532 Islamic Art and Architecture
    549 Art of Spain
    560 Seminar in Pre-Columbian Art
    567 World Architecture I: History of the Built Environment from Pre-History to 1400 C.E.
    529 Topics
     

    B. Early Modern Emphasis:
    *330 Renaissance Art and Architecture
    *352 Renaissance Art in Northern Europe
    502 Native American Art I
    506 Native American Art II
    516 Southwestern Native Ceramics
    520 History of the Graphic Arts I
    550 Spanish Colonial Art
    568 World Architecture II: History of the Built Environment from 1400 C.E to the Present
    572 American Art: 1675-1875
    580 Seminar in Spanish Colonial Art
    581 Seminar in Early Modern Art 1750-1900
    592 American Landscapes
    529 Topics

    C. Modern and Contemporary Emphasis
    515 Modern Native American Art
    517 Seminar in Native American Tourist Art
    521 History of the Graphic Arts II
    522 Contemporary Architecture
    523 Frank Lloyd Wright and American Architecture
    525 19th-Century Photography
    526 20th-Century Photography
    527 Contemporary Photography
    553 African American Art
    563 Modern Architecture
    564 European Art 1750-1848
    576 Chicano Art 1965-1995
    579 American Art: 1876-1940
    582 Seminar in 20th Century Art
    583 Seminar in Modern/Contemporary Latin American Art
    588 The Arts of Mexico, 1810-1945
    590 Muralism in the Americas, 1920-1995
    591 Late 20th-Century Art
    592 American Landscapes
    593 The Art of Latin America 1820-1945
    594 The Art of Latin America 1945-1990
    595 European Art 1848-1900
    529 Topics

    M.A. in Art History: Concentration in Arts of the Americas

    Degree Requirements

    ARTH 500 Philosophy and Methods of Art History 3
    ARTH graduate courses in primary emphasis 9
    ARTH graduate courses in secondary emphasis 9
    ARTH graduate course in another (third) emphasis 3
    Minimum coursework listed above 24
    ARTH 599 Thesis 6
    Total 30

    All work offered toward degree requirements must fall within a five-year period.  Transfer credits must fall within the OGS-mandated seven-year period.

    M.A. Art History: Concentration in Arts of the Americas Course Requirements

    Each student must select a primary and secondary emphasis in either:

    1. Native North American Art History
    2. Art & Architecture of the Ancient Americas
    3. Ibero-American Colonial Art History
    4. Modern U.S. and Canadian Art History
    5. Modern Latin American Art History

    There is, of course, some overlap between many of these areas of emphasis.  In each case, the nature of these concerns will vary owing to the predominant body of monuments being analyzed and the specific media whereby these artworks are produced.  Part of Native American Art, while placed in category A, is then also considered Modern U.S. and Canadian or Latin American Art History.  Courses that cover more than one emphasis can potentially be used flexibly in the Program of Studies, however one class cannot be used to simultaneously fulfill two requirements.  For example, if you apply your Modern Native American Art class to Native American Art, it cannot also be applied to Modern U.S. and Canadian Art.   You should discuss this use with your committee chair and the graduate advisor if you have taken seminars that cover more than one area of focus. 

    Courses marked with an asterisk are available for Graduate Credit.

    While Art History 550 and 551 (Graduate Problems Course) are available, M.A. students will be limited to one 3-hour Graduate Problems Course, as approved by her or his Committee on Studies.  A student may also petition his or her Committee on Studies to approve a substitute course from another Department, if it is closely related to the student’s specific Concentration or Emphasis.

    A. Native American Art History
    502:  Native American Art I
    506:  Native American Art II
    515:  Modern Native American Art
    516:  Southwestern Native Ceramics
    517:  Seminar in Native American Tourist Arts
    529:  Topics in Native American Art
    559:  Seminar in Native American Art

    B.  Art & Architecture of the Ancient Americas
    *343:  Pre-Columbian Architecture
    511:  Pre-Columbian Art (Mesoamerica)
    512:  Pre-Columbian Art (South America)
    529:  Topics in Pre-Columbian Art
    560:  Seminar in Pre-Columbian Art

    C.  Ibero-American Colonial Art History
    *330 Renaissance Art & Architecture
    *352 Renaissance Art in Northern Europe
    529 Topics in Spanish Colonial Art
    549 Art of Medieval Spain
    550 Spanish Colonial Art
    580 Seminar in Spanish Colonial Art

    D.  Modern U.S. and Canadian Art History
    525 19th-Century Photography
    526 20th-Century Photography
    527 Contemporary Photography
    529 Topics in Modern Art of America and/or Europe
    553 African-American Art
    563 Modern Architecture
    579 American Art 1876-1940
    581 Seminar in Early Modern Art 1750-1900
    582 Seminar in 20th-Century Art
    590 Muralism in the Americas 1920-1995
    591 Late 20th-Century Art
    592 American Landscapes

    E.  Modern Latin-American Art
    529 Topics in Modern Latin-American Art
    576 Chicano Art 1965-1995
    583 Seminar in Modern/Contemporary Latin American Art
    588 The Arts of Mexico 1810-1945 (will become 19th-c. Arts of Mexico)
    590  Muralism in the Americas 1920-1995
    593 The Art of Latin America 1820-1945
    594 The Art of Latin America 1945-1990

    Committee on Studies

    A student forms a Committee on Studies during the semester in which 12 semester graduate course hours are completed. This three-member committee is formed in consultation with the proposed chairperson of the Committee and the Department Director of Graduate Studies and with the approval of the Department Chairperson. Changes in membership are also made in this manner.

    Filing Program of Studies

    Students must file the Program of Studies form soon after completing 12 graduate hours. Before a student may file their Program of Studies and commencement of the thesis, a student must:

    1. Successfully complete ARTH 500 (Philosophy and Methods of Art History) during the first year of residence.
    2. Successful participate in the Spring Symposium. The student presents a satisfactory 20-minute formal paper or research work in progress to peers and faculty during the 12th week of the second semester (Spring semester) in the program.
    3. Provide evidence of proficiency in at least one foreign language appropriate to the student's area of concentration (see Department Graduate Advisor for methods of fulfilling this requirement).

    Approval of the Program of Studies will be granted by the Dean of Graduate Studies only after the residency requirement is met and the Program of Studies has been approved by the Committee on Studies and the Department Director of Graduate Studies.

    Approval of the Program of Studies in no way implies successful completion of the M.A. degree. The Program of Studies must be submitted to the Dean of Graduate Studies for approval by October 1st of the semester before the student intends to graduate at the latest.

    Comprehensive Examination in Art History

    Students must pass a written comprehensive examination covering the major areas of the history of art. The M.A. candidate should take this Comprehensive Examination, scheduled early in every Fall and Spring semester, in the semester after which 12 hours of course work has been completed.

    M.A. Thesis and Defense

    The thesis is an extended research paper that demonstrates a candidate’s ability to perform research and analysis at the graduate level. The student defends the thesis in an oral examination administered by the Committee on Studies.

    The student must notify the Office of Graduate Studies at least two weeks before the date of the thesis defense on the forms available. Results of the defense are recorded on the reverse side of the final examination announcement form. The student is responsible for initiating the procedure and making sure that the original notice is sent to the Office of Graduate Studies.

    Time Limit to Complete Requirements

    All work offered towards the M.A. degree must be accomplished within a five-year period from the time of admission, including transfer work from another institution.


    Ph.D. Degree Requirements

    Also see the Ph.D. Degree general requirements described in the catalog. Those admitted to the Ph.D. program without an M.A. in art history may be required to take additional graduate courses beyond the minimum Ph.D. requirement of 48 hours of course work; in all cases they must take and pass the M.A. Comprehensive Examination.

        Course Work  
    A.   A minimum of 48 hours of course work beyond the bachelor's degree, exclusive of dissertation.  
      •  A maximum of 30 hours from the M.A. degree, if approved, may be counted toward the 48-hour requirement 30
      ARTH graduate courses in the concentration and graduate courses in supporting fields 18
        Minimum course work 48
        ARTH Dissertation 18
        Total 66
    B.   Within the context of courses listed above  
      A minimum of 18 hours of 500-level courses or above completed at the University of New Mexico  
      At least 18 hours completed in residence at the University  

     
    Because of the specialized nature of the Doctoral degree in Art History, emphases at the Master’s level are concentrations at this level.


    Ph.D. Concentrations:

    Pre-Columbian Art History
    Native American Art History
    Spanish Colonial Art History
    Art of Colonial America – Art of the United States
    Modern Latin America / Latino Art History
    History of Architecture
    History of Photography
    History of Graphic Arts
    19th and 20th Century Western Art History

    The 18 credit hours in Art History graduate courses in the concentration and graduate course in supporting fields can be taken from the course listing under the Master’s section.

    Time Limit to Complete Requirement

    A doctoral candidate will have five years for completion of all degree requirements from the date the student is formally Advanced to Candidacy by the Dean of the Office of Graduate Studies.

    Students seeking the Ph.D. degree must demonstrate, beyond a general mastery of the discipline, comprehensive knowledge of their fields of study and the ability to conduct original research. Required course work outside the Department of Art and Art History will be determined by the student’s particular needs and shall be undertaken only with the advice and approval of his/her Committee on Studies.

    Committee on Studies

    The doctoral program is governed by a system of mentorship. Students seeking the Ph.D. must form a Committee on Studies, in consultation with the proposed Chairperson of the Committee and the Department Director of Graduate Studies, and with the approval of the Department Chairperson, during their first semester in residency. Changes in membership are also made in this manner. Dissertation committees will consist of at least four members approved for graduate instruction (normally regular, full-time University of New Mexico faculty appointments). The external committee member, must hold a regular, full-time faculty appointment outside the student’s unit/department at the University of New Mexico or another accredited institution. The fourth committee member may be a regular University of New Mexico faculty member or non-faculty expert in the student’s major research areas. The chairperson must be a regular University of New Mexico faculty member from the department, and the dissertation committee must be approved by the Department.

    Advancement to Candidacy

    Students admitted to the doctoral program with an M.A. from another institution must meet the following general requirements before advancing to candidacy: ARTH 500, and Spring Symposium (Spring semester) (see M.A. Degree Requirements). Doctoral students admitted with an M.A. in a field other than Art History must also pass the Department M.A. Comprehensive Examination. Advancement to Candidacy usually takes place during the semester in which the student completes the minimum of 18 hours of course work (500-level and above) beyond the M.A. In addition to those listed in the Graduate Program section of this catalog, the requirements for advancement to candidacy for the Ph.D. are:

    1. Evidence of proficiency in at least two foreign languages appropriate to the student's area of concentration (see Department Graduate Advisor for methods of fulfilling this requirement).
    2. Successful completion of the Doctoral Comprehensive Examination, administered by the student's Committee on Studies; this written examination tests the student's comprehensive knowledge of the field of specialization.
    3. Fulfillment of residency requirements.
    4. Acceptance of dissertation proposal. A preliminary outline of the proposed dissertation subject and research must be approved by the student's Committee on Studies prior to beginning enrollment in Dissertation.

    Dissertation and Defense

    The dissertation demonstrates the student’s ability to undertake original research and to write a readable, scholarly argument of book length. The student is expected to have complete knowledge of the historical, critical, theoretical, and methodological issues raised by the subject. The student defends the dissertation in an oral examination administered by the Committee on Studies.

    The student must notify the Office of Graduate Studies at least two weeks before the date of the dissertation defense on the forms available. Results of the defense are recorded on the reverse side of the final examination announcement form. The student is responsible for initiating the procedure and making sure that the original notice is sent to the Office of Graduate Studies.


    Courses

    ARTH 101. Introduction to Art. (3)



    ARTH 201. History of Art I. (3)



    ARTH 202. History of Art II. (3)



    ARTH 204. Greek Civilization. (3)



    ARTH 205. Roman Civilization. (3)



    ARTH 210. History of Photography. (3)



    ARTH 250. Modern Art. (3)



    ARTH 251. Artistic Traditions of the Southwest. (3)



    ARTH 252. Contemporary Art and New Media. (3)



    ARTH 303. Asian Art. (3)



    ARTH 315. Ancient Art. (3)



    ARTH 321. Early Medieval Art, 500?1000 C.E.. (3)



    ARTH 322. High Medieval Art, 1000?1200 C.E.. (3)



    ARTH 323 / 567 [261 / 567]. World Architecture I: History of the Built Environment from Pre-History to 1400 CE. (3)



    ARTH 324 / 568 [262 / 568]. World Architecture II: History of the Built Environment From 1400 CE to the Present. (3)



    ARTH *330. Renaissance Art and Architecture. (3)



    ARTH *340. Baroque Art. (3)



    ARTH *343. Pre-Columbian Architecture. (3)



    ARTH 402 / 502. Native American Art I. (3)



    ARTH 406 / 506. Native American Art II. (3)



    ARTH 407 / 507. Museum Practices. (3 to a maximum of 6 ?)



    ARTH 411 / 511. Pre-Columbian Art: Mesoamerica. (3)



    ARTH 412 / 512. Pre-Columbian Art: South America. (3)



    ARTH 415 / 515. Modern Native American Art. (3)



    ARTH 416. Southwestern Native Ceramics. (3)



    ARTH 417 / 517. Seminar in Native American Tourists Arts. (3)



    ARTH 420 / 520. History of Graphic Arts I. (3)



    ARTH 421 / 521. History of the Graphic Arts II. (3)



    ARTH 422 / 522. Contemporary Architecture. (3)



    ARTH 423 / 523. Frank Lloyd Wright and American Architecture. (3)



    ARTH 425 / 525. 19th-Century Photography. (3)



    ARTH 426 / 526. 20th-Century Photography. (3)



    ARTH 427 / 527. Contemporary Photography. (3)



    ARTH 429. Topics in Art History. (1-3, no limit ?)



    ARTH 431 / 531. Byzantine Art and Architecture. (3)



    ARTH 432 / 532. Islamic Art and Architecture. (3)



    ARTH 449 / 549. Art of Spain. (3)



    ARTH 450 / 550. Spanish Colonial Art. (3)



    ARTH 453 / 553. African American Art. (3)



    ARTH 463 / 563. Modern and Contemporary Architecture. (3)



    ARTH 464 / 564. European Art 1750-1830 . (3)



    ARTH 472 / 572. American Art: 1675?1875. (3)



    ARTH 476 / 576. Chicano Art: A History of an American Art Movement 1965 to Present. . (3)



    ARTH 479 / 579. American Art: 1876?1940. (3)



    ARTH 481 / 595. European Art 1830-1900. . (3)



    ARTH *484. Evaluating the Arts. (3)



    ARTH 485 / 585. Seminar in Museum Methods. (3 to a maximum of 6 ?)



    ARTH 486 / 586. Practicum: Museum Methods. (3)



    ARTH 487 / 587. Contemporary Interdisciplinary Topics. (3 to a maximum of 6 ?)



    ARTH 488 / 588. The Arts of Mexico, 1810?1945. (3)



    ARTH 489 / 589. The Arts of Mexico, 1945?1990. (3)



    ARTH 490 / 590. Muralism in the Americas, 1920-Present . (3)



    ARTH 491 / 591. Late 20th-Century to 21st-Century Art [Late 20th-Century Art]. (3)



    ARTH 492 / 592. American Landscapes. (3)



    ARTH 493 / 593. The Art of Latin America, 1820?1945. (3)



    ARTH 494 / 594. The Art of Latin America, 1945?1990. (3)



    ARTH 496. Undergraduate Tutorial. (3, no limit ?)



    ARTH 499. Honors Thesis. (3-6)



    ARTH 500. Philosophy and Methods of Art History. (3)



    ARTH 502 / 402. Native American Art I. (3)



    ARTH 506 / 406. Native American Art II. (3)



    ARTH 507 / 407. Museum Practices. (3 to a maximum of 6 ?)



    ARTH 511 / 411. Pre-Columbian Art: Mesoamerica. (3)



    ARTH 512 / 412. Pre-Columbian Art: South America. (3)



    ARTH 515 / 415. Modern Native American Art. (3)



    ARTH 516 / 416. Southwestern Native Ceramics. (3)



    ARTH 517 / 417. Seminar in Native American Tourists Arts. (3)



    ARTH 520 / 420. History of Graphic Arts I. (3)



    ARTH 521 / 421. History of the Graphic Arts II. (3)



    ARTH 522 / 422. Contemporary Architecture. (3)



    ARTH 523 / 423. Frank Lloyd Wright and American Architecture. (3)



    ARTH 525 / 425. 19th-Century Photography. (3)



    ARTH 526 / 426. 20th-Century Photography. (3)



    ARTH 527 / 427. Contemporary Photography. (3)



    ARTH 529. Topics in Art History. (1-3, no limit ?)



    ARTH 531 / 431. Byzantine Art and Architecture. (3)



    ARTH 532 / 432. Islamic Art and Architecture. (3)



    ARTH 549 / 449. Art of Spain. (3)



    ARTH 550 / 450. Spanish Colonial Art. (3)



    ARTH 551 / 552. Problems. (2-3 to a maximum of 6 ?)



    ARTH 553 / 453. African American Art. (3)



    ARTH 558. Seminar in Pre-Historic Art. (3)



    ARTH 559. Seminar in Native American Art. (3, no limit ?)



    ARTH 560. Seminar in Pre-Columbian Art. (3 to a maximum of 15 ?)



    ARTH 563 / 463. Modern and Contemporary Architecture. (3)



    ARTH 564 / 464. European Art 1750-1830 . (3)



    ARTH 567 / 323. World Architecture I: History of the Built Environment From Prehistory to 1400 CE. (3)



    ARTH 568 / 324 [568 / 262]. World Architecture II: History of the Built Environment From 1400 CE to the Present. (3)



    ARTH 572 / 472. American Art: 1675?1875. (3)



    ARTH 576 / 476. Art: A History of an American Art Movement 1965 to Present. . (3)



    ARTH 579 / 479. American Art: 1876?1940. (3)



    ARTH 580. Seminar in Spanish Colonial Art. (3, no limit ?)



    ARTH 581. Seminar in Early Modern Art 1750?1900. (3 to a maximum of 12 ?)



    ARTH 582. Seminar in 20th-Century Art. (3, no limit ?)



    ARTH 583. Seminar in Modern/Contemporary Latin American Art History. (3, no limit ?)



    ARTH 584. Problems in Interdisciplinary Studies. (3 to a maximum of 6 ?)



    ARTH 585 / 485. Seminar in Museum Methods. (3 to a maximum of 6 ?)



    ARTH 586 / 486. Practicum: Museum Methods. (3 to a maximum of 6 ?)



    ARTH 587 / 487. Contemporary Interdisciplinary Topics. (3 to a maximum of 6 ?)



    ARTH 588 / 488. The Arts of Mexico, 1810?1945. (3)



    ARTH 589 / 489. The Arts of Mexico, 1945?1990. (3)



    ARTH 590 / 490. Muralism in the Americas, 1920-Present. . (3)



    ARTH 591 / 491. Late 20th-Century to 21st-Century Art [Late 20th-Century Art]. (3)



    ARTH 592 / 492. American Landscapes. (3)



    ARTH 593 / 493. The Art of Latin America, 1820?1945. (3)



    ARTH 594 / 494. The Art of Latin America, 1945?1990. (3)



    ARTH 595 / 481. European Art 1830-1900 . (3)



    ARTH 599. Master?s Thesis. (1-6, no limit ?)



    ARTH 699. Dissertation. (3-12, no limit ?)



    ARTS 106. Drawing I. (3)



    ARTS 121. Two-dimensional Design. (3)



    ARTS 123. Shop Foundations. (2)



    ARTS 125. Art Practices I. (3)



    ARTS 126. Art Practices II. (3)



    ARTS 130. Introduction to Electronic Art. (3)



    ARTS 141. Introduction to Art and Ecology. (3)



    ARTS 157. Small Scale Metal Construction I. (3 to a maximum of 6 ?)



    ARTS 168. Introduction to Ceramics. (3)



    ARTS 187. Introduction to Photography. (3)



    ARTS 188. Visualizing Ideas Using Photography. (3)



    ARTS 205. Drawing II. (3)



    ARTS 207. Painting I. (3)



    ARTS 208. Painting II. (3 to a maximum of 6 ?)



    ARTS 213. Sculpture I. (3)



    ARTS 231. Video Art I. (3)



    ARTS 232. Sound Art I. (3)



    ARTS 240. Inside the Outside: A Contemporary Survey of Ecological, Public, and Activist Art. (3)



    ARTS 241. Social and Public Ecological Art. (3)



    ARTS 257. Small Scale Metal Construction II. (3 to a maximum of 6 ?)



    ARTS 268. Ceramics: Materials and Aesthetics. (3 to a maximum of 6 ?)



    ARTS 274. Introduction to Printmaking. (3)



    ARTS 287. Black & White Photography. (3)



    ARTS 288. Color Techniques in Photography. (3)



    ARTS 289. Digital Imaging Techniques. (3)



    ARTS 305. Drawing III. (3 to a maximum of 6 ?)



    ARTS 308. Painting III. (3 to a maximum of 6 ?)



    ARTS 310. Figure Drawing. (3 to a maximum of 6 ?)



    ARTS 313. Intermediate Sculpture. (3 to a maximum of 6 ?)



    ARTS 320. The Phenomena of Color. (3 to a maximum of 6 ?)



    ARTS 330. Intermediate Electronic Art. (3 to a maximum of 9 ?)



    ARTS 331. Video Art II. (3 )



    ARTS 332. Sound Art II. (3 to a maximum of 6 ?)



    ARTS 335. Intaglio Printmaking I. (3 to a maximum of 6 ?)



    ARTS 336. Intaglio Printmaking II. (3 to a maximum of 6 ?)



    ARTS 345. Serigraphy. (3 to a maximum of 6 ?)



    ARTS 357. Small Scale Casting. (3 to a maximum of 6 ?)



    ARTS 358 / 458 / 558. Nature & Technology. (3 to a maximum of 6 ?)



    ARTS 369. Ceramics: Spatial Situations. (3 to a maximum of 6 ?)



    ARTS 370 [368]. Arita Porcelain Vessels [Porcelain Vessels]. (3 to a maximum of 9 ? [1-3])



    ARTS 374. Lithography I. (3 to a maximum of 6 ?)



    ARTS 375. Lithography II. (3 to a maximum of 6 ?)



    ARTS 385. Non-Silver Photographic Process. (3)



    ARTS 387. Intermediate Photography. (3 to a maximum of 9 ?)



    ARTS 389. Topics in Studio Art. (1-3, no limit ?)



    ARTS 394. Computer Generated Imagery and Animation. (3)



    ARTS 405. Advanced Drawing. (3 to a maximum of 9 ?)



    ARTS 407. Advanced Painting. (3 to a maximum of 9 ?)



    ARTS 408. Outdoor Studio. (1-3, may be repeated twice ?)



    ARTS 409 / 509. Advanced Video Art. (3 to a maximum of 6 ?)



    ARTS 413. Advanced Sculpture. (3 to a maximum of 12 ?)



    ARTS 429. Undergraduate Topics in Studio Art. (1-6 to a maximum of 15 ?)



    ARTS 431/ 531. Advanced Time-Based Media. (3 to a maximum of 6 ?)



    ARTS 432 / 532. Special Projects in Electronic Art I. (3 to a maximum of 12 ?)



    ARTS 433 / 533. Special Projects in Electronic Art II. (3 to a maximum of 12 ?)



    ARTS 434 / 534. Immersive Media. (3 to a maximum of 6 ?)



    ARTS 435 / 535. The Art of Transmission. (3 to a maximum of 6 ?)



    ARTS 457. Advanced Casting and Construction. (3 to a maximum of 12 ?)



    ARTS 458 / 358 / 558. Nature & Technology. (3 to a maximum of 6 ?)



    ARTS 461 / 561. Artifacts: Production, Use, Apprehension. (3 to a maximum of 6 ?)



    ARTS 462 / 562. Mapping: Body, Landscape, Memory. (3 to a maximum of 6 ?)



    ARTS 463 / 563. Place: Land, Civilization, Persona. (3 to a maximum of 6 ?)



    ARTS 464 / 564. Space: Expanse, Thresholds, Limits. (3 to a maximum of 6 ?)



    ARTS 467 / 567. Art and Ecology. (3)



    ARTS 468. Ceramics: Professional Practices. (3 to a maximum of 12 ?)



    ARTS 469 / 569. Pueblo Pottery. (3)



    ARTS 474. Advanced Printmaking. (3 to a maximum of 15 ?)



    ARTS 487. Advanced Interdisciplinary Portfolio. (3 to a maximum of 12 ?)



    ARTS 493. Seminar in Studio Art. (3 to a maximum of 6 ?)



    ARTS 494 / 594. Advanced Topics in Computer Generated Imaging. (3 to a maximum of 6 ?)



    ARTS 495. Independent Study. (3 to a maximum of 6 ?)



    ARTS 499. Honors Thesis. (3-6)



    ARTS 502. Interdisciplinary Seminar. (3)



    ARTS 505. Graduate Drawing and Painting. (3 to a maximum of 9 ?)



    ARTS 508. Graduate Outdoor Studio. (1-3, may be repeated twice)



    ARTS 509 / 409. Advanced Video Art. (3 to a maximum of 6 ?)



    ARTS 513. Graduate Sculpture. (3 to a maximum of 12 ?)



    ARTS 520. Graduate Phenomena of Color. (3)



    ARTS 529. Graduate Topics in Studio Art. (1-6 to a maximum of 12 ?)



    ARTS 531/431. Advanced Time-Based Media. (3 to a maximum of 6 ?)



    ARTS 532 / 432. Special Projects in Electronic Art I. (3 to a maximum of 12 ?)



    ARTS 533 / 433. Special Projects in Electronic Art II. (3 to a maximum of 12 ?)



    ARTS 534/434. Immersive Media. (3 to a maximum of 6 ?)



    ARTS 535/435. The Art of Transmission. (3 to a maximum of 6 ?)



    ARTS 557. Graduate Casting and Construction. (3 to a maximum of 12 ?)



    ARTS 558 / 458 / 358. Nature & Technology. (3 to a maximum of 6 ?)



    ARTS 561 / 461. Artifacts: Production, Use, Apprehension. (3 to a maximum of 6 ?)



    ARTS 562 / 462. Mapping: Body, Landscape, Memory. (3 to a maximum of 6 ?)



    ARTS 563 / 463. Place: Land, Civilization, Persona. (3 to a maximum of 6 ?)



    ARTS 564 / 464. Space: Expanse, Thresholds, Limits. (3 to a maximum of 6 ?)



    ARTS 567 / 467. Art and Ecology. (3)



    ARTS 569 / 469. Pueblo Pottery. (3)



    ARTS 574. Graduate Printmaking. (3 to a maximum of 15 ?)



    ARTS 587. Graduate Visual Art Seminar. (3 to a maximum of 15 ?)



    ARTS 593. Seminar in Studio Art. (3 to a maximum of 6 ?)



    ARTS 594 / 494. Advanced Topics in Computer Generated Imaging. (3 to a maximum of 6 ?)



    ARTS 595. Graduate Tutorial. (1-9 to a maximum of 21 ?)



    ARTS 699. Dissertation. (3-12, no limit ?)



    MSST 311 / 511. Material Culture in America. (3)



    MSST 407 / 507. Museum Practices. (3 to a maximum of 6 ?)



    MSST 485 / 585. Seminar in Museum Methods. (3 to a maximum of 6 ?)



    MSST 486 / 586. Practicum: Museum Methods. (3)



    MSST 507 / 407. Museum Practices. (3 to a maximum of 6 ?)



    MSST 511 / 311. Material Culture in America. (3)



    MSST 585 / 485. Seminar in Museum Methods. (3 to a maximum of 6 ?)



    MSST 586 / 486. Practicum: Museum Methods. (3 to a maximum of 6 ?)



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    Office of the Registrar

    MSC11 6325
    1 University of New Mexico
    Albuquerque, NM 87131

    Phone: (505) 277-8900
    Fax: (505) 277-6809