Art and Art History

      Joyce M. Szabo, Interim Chairperson
      Department of Art and Art History
      MSC04 2560
      1 University of New Mexico
      Albuquerque, NM 87131-0001
      (505) 277-5861, FAX (505) 277-5955

      Associate Chairperson
      Mary Tsiongas

      Director of Graduate Studies
      Mary Tsiongas

      Regents Professors
      Adrienne Salinger, M.F.A., School of the Art Institute of Chicago
      Joyce M. Szabo, Ph.D., The University of New Mexico

      Professors
      Michael D. Cook, M.F.A., University of Oklahoma
      Constance DeJong, M.F.A., The University of New Mexico
      William T. Gilbert, M.F.A., University of Montana
      Olivia L. Lumpkin, Ph.D., The University of New Mexico
      Christopher Mead, Ph.D., University of Pennsylvania
      Jim Stone, M.F.A., Rhode Island School of Design

      Professor of Practice
      Molly Sturges, M.A., Wesleyan University

      Associate Professors
      Susanne Anderson-Riedel, Ph.D., University of California (Los Angeles)
      Justine Andrews, Ph.D., University of California (Los Angeles)
      Holly Barnet-Sanchez, Ph.D., University of California (Los Angeles)
      Gina Bobrowski, M.F.A., University of Georgia
      Kirsten Buick, Ph.D., University of Michigan
      Ray Hernández-Durán, Ph.D., The University of Chicago
      Kathleen Jesse, M.F.A., University of California (Berkeley)
      Patrick Manning, M.F.A., The University of New Mexico
      Andrea Polli, M.F.A., School of the Art Institute of Chicago
      Yoshiko Shimano, M.F.A., Mills College
      Mary Tsiongas, M.F.A., California College of Arts and Crafts
      Baochi Zhang, M.F.A., Florida State University

      Assistant Professors
      Scott Anderson, M.F.A., University of Illinois at Urbana-Champaign
      Ellen Babcock, M.F.A., California College of Arts and Crafts, San Francisco
      Ligia Bouton, M.F.A., Rutgers University
      Kathryne Cyman, M.A., The University of New Mexico
      Bart Exposito, M.F.A., California Institute of the Arts
      Meggan Gould, M.F.A., University of Massachusetts-Dartmouth
      Catherine P. Harris, M.F.A., Stanford University; M.L.A., University of California (Berkeley)
      Szu-Han Ho, M.F.A., School of the Art Institute of Chicago
      Margaret Jackson, Ph.D., University of California (Los Angeles)
      R. Lee Montgomery, M.F.A., San Francisco Art Institute
      Claudia X. Valdes, M.F.A., University of California (Berkeley)
      Randall Wilson, M.F.A., Otis College of Art and Design
      Catherine Zuromskis, Ph.D., University of Rochester

      Research Assistant Professors
      Marjorie Devon, B.A., University of California (Berkeley)
      Rodney Hamon, M.F.A, The University of New Mexico
      Jeanette Hart-Mann, M.F.A., Vermont College of Fine Arts

      Adjunct Professors
      Clarence Cruz, M.F.A., The University of New Mexico
      Julianne Harvey, M.F.A, The University of New Mexico
      Jessamyn Lovell, M.F.A., California College of the Arts
      Ruth Meredith, Ph.D., The University of New Mexico
      Kristine Mills, M.F.A., The University of New Mexico
      Justin Nighbert, M.F.A., The University of New Mexico
      Sara Otto-Diniz, Ph.D., The University of New Mexico
      Michele Penhall, Ph.D., The University of New Mexico
      Chris Reisz, B.F.A., The University of New Mexico

      Instructor
      D. Aaron Fry, A.B.D., The University of New Mexico

      Professors Emeriti
      Nick Abdalla, M.A., The University of New Mexico
      Jane Abrams, M.F.A., Indiana University
      Garo Antreasian, B.F.A., Herron School of Art
      Thomas F. Barrow, M.S., Institute of Design, I.I.T.
      Steve Barry, M.F.A., Hunter College
      J.J. Brody, Ph.D., The University of New Mexico
      Edward Bryant, M.A., University of North Carolina at Chapel Hill
      Flora Clancy, Ph.D., Yale University
      Robert M. Ellis, M.F.A., University of Southern California
      Martin Facey, M.F.A., University of California (Los Angeles)
      Elen Feinberg, M.F.A., Indiana University
      Betty Hahn, M.F.A., Indiana University
      Basia Irland, M.F.A., University of Massachusetts
      Christiane L. Joost-Gaugier, Ph.D., Harvard University
      Wayne R. Lazorik, M.F.A., University of Minnesota
      Ralph Lewis, M.A., The University of New Mexico
      Patrick Nagatani, M.F.A., University of California (Los Angeles)
      Joyce Neimanas, M.F.A., School of the Art Institute of Chicago
      O. Joseph Rothrock, Ph.D., Princeton University
      John H. Wenger, M.F.A., University of Arizona


      Courses

      ARTH 101. Introduction to Art. (3)



      ARTH 201. History of Art I. (3)



      ARTH 202. History of Art II. (3)



      ARTH 205. Roman Civilization. (3)



      ARTH 210. History of Photography. (3)



      ARTH 250. Modern Art. (3)



      ARTH 251. Artistic Traditions of the Southwest. (3)



      ARTH 252. Contemporary Art and New Media. (3)



      ARTH 315. Ancient Art. (3)



      ARTH 321. Early Medieval Art, 500?1000 C.E.. (3)



      ARTH 322. High Medieval Art, 1000?1200 C.E.. (3)



      ARTH 323 / 567. World Architecture I: History of the Built Environment from Pre-History to 1400 CE. (3)



      ARTH 324 / 568. World Architecture II: History of the Built Environment From 1400 CE to the Present. (3)



      ARTH *330. Renaissance Art and Architecture. (3)



      ARTH *340. Baroque Art. (3)



      ARTH 402 / 502. Native American Art I. (3)



      ARTH 406 / 506. Native American Art II. (3)



      ARTH 407 / 507. Museum Practices. (3 to a maximum of 6 ?)



      ARTH 411 / 511. Pre-Columbian Art: Mesoamerica. (3)



      ARTH 412 / 512. Pre-Columbian Art: South America. (3)



      ARTH 415 / 515. Modern Native American Art. (3)



      ARTH 416. Southwestern Native Ceramics. (3)



      ARTH 417 / 517. Seminar in Souvenir Native American Arts [Seminar in Native American Tourist Arts]. (3)



      ARTH 420 / 520. History of Graphic Arts I. (3)



      ARTH 421 / 521. History of the Graphic Arts II. (3)



      ARTH 422 / 522. Contemporary Architecture. (3)



      ARTH 423. Frank Lloyd Wright and American Architecture. (3)



      ARTH 425 / 525. 19th-Century Photography. (3)



      ARTH 426 / 526. 20th-Century Photography. (3)



      ARTH 427 / 527. Contemporary Photography. (3)



      ARTH 429. Topics in Art History. (1-3, no limit ?)



      ARTH 432 / 532. Islamic Art and Architecture. (3)



      ARTH 449 / 549. Art of Spain. (3)



      ARTH 450 / 550. Spanish Colonial Art. (3)



      ARTH 453 / 553. African American Art. (3)



      ARTH 463 / 563. Modern and Contemporary Architecture. (3)



      ARTH 464 / 564. European Art 1750-1830 . (3)



      ARTH 472 / 572. American Art: 1675?1875. (3)



      ARTH 476 / 576. Chicano Art: A History of an American Art Movement 1965 to Present. . (3)



      ARTH 479 / 579. American Art: 1876?1940. (3)



      ARTH 481 / 595. European Art 1830-1900. . (3)



      ARTH *484. Evaluating the Arts. (3)



      ARTH 485 / 585. Seminar in Museum Methods. (3 to a maximum of 6 ?)



      ARTH 486 / 586. Practicum: Museum Methods. (3 to a maximum of 6 ?)



      ARTH 487 / 587. Contemporary Interdisciplinary Topics. (3 to a maximum of 6 ?)



      ARTH 488 / 588. The Arts of Mexico, 1810?1945. (3)



      ARTH 491 / 591. Late 20th-Century to 21st-Century Art . (3)



      ARTH 492 / 592. American Landscapes. (3)



      ARTH 493 / 593. The Art of Latin America, 1820?1945. (3)



      ARTH 494 / 594. The Art of Latin America, 1945-Present [The Art of Latin America, 1945?1990]. (3)



      ARTH 496. Undergraduate Tutorial. (3, no limit ?)



      ARTH 499. Honors Thesis. (3-6)



      ARTH 500. Philosophy and Methods of Art History. (3)



      ARTH 502 / 402. Native American Art I. (3)



      ARTH 506 / 406. Native American Art II. (3)



      ARTH 507 / 407. Museum Practices. (3 to a maximum of 6 ?)



      ARTH 511 / 411. Pre-Columbian Art: Mesoamerica. (3)



      ARTH 512 / 412. Pre-Columbian Art: South America. (3)



      ARTH 515 / 415. Modern Native American Art. (3)



      ARTH 516 / 416. Southwestern Native Ceramics. (3)



      ARTH 517 / 417. Seminar in Souvenir Native American Arts [Seminar in Native American Tourist Arts]. (3)



      ARTH 520 / 420. History of Graphic Arts I. (3)



      ARTH 521 / 421. History of the Graphic Arts II. (3)



      ARTH 522 / 422. Contemporary Architecture. (3)



      ARTH 525 / 425. 19th-Century Photography. (3)



      ARTH 526 / 426. 20th-Century Photography. (3)



      ARTH 527 / 427. Contemporary Photography. (3)



      ARTH 529. Topics in Art History. (1-3, no limit ?)



      ARTH 532 / 432. Islamic Art and Architecture. (3)



      ARTH 549 / 449. Art of Spain. (3)



      ARTH 550 / 450. Spanish Colonial Art. (3)



      ARTH 551 / 552. Problems. (2-3 to a maximum of 6 ?)



      ARTH 553 / 453. African American Art. (3)



      ARTH 558. Seminar in Pre-Historic Art. (3)



      ARTH 559. Seminar in Native American Art. (3, no limit ?)



      ARTH 560. Seminar in Pre-Columbian Art. (3 to a maximum of 15 ?)



      ARTH 563 / 463. Modern and Contemporary Architecture. (3)



      ARTH 564 / 464. European Art 1750-1830 . (3)



      ARTH 567 / 323. World Architecture I: History of the Built Environment From Prehistory to 1400 CE. (3)



      ARTH 568 / 324. World Architecture II: History of the Built Environment From 1400 CE to the Present. (3)



      ARTH 572 / 472. American Art: 1675?1875. (3)



      ARTH 576 / 476. Art: A History of an American Art Movement 1965 to Present. . (3)



      ARTH 579 / 479. American Art: 1876?1940. (3)



      ARTH 580. Seminar in Spanish Colonial Art. (3, no limit ?)



      ARTH 581. Seminar in Early Modern Art 1750?1900. (3 to a maximum of 12 ?)



      ARTH 582. Seminar in 20th-Century Art. (3, no limit ?)



      ARTH 583. Seminar in Modern/Contemporary Latin American Art History. (3, no limit ?)



      ARTH 584. Problems in Interdisciplinary Studies. (3 to a maximum of 6 ?)



      ARTH 585 / 485. Seminar in Museum Methods. (3 to a maximum of 6 ?)



      ARTH 586 / 486. Practicum: Museum Methods. (3 to a maximum of 6 ?)



      ARTH 587 / 487. Contemporary Interdisciplinary Topics. (3 to a maximum of 6 ?)



      ARTH 588 / 488. The Arts of Mexico, 1810?1945. (3)



      ARTH 591 / 491. Late 20th-Century to 21st-Century Art . (3)



      ARTH 592 / 492. American Landscapes. (3)



      ARTH 593 / 493. The Art of Latin America, 1820?1945. (3)



      ARTH 594 / 494. The Art of Latin America 1945-Present [The Art of Latin America, 1945?1990]. (3)



      ARTH 595 / 481. European Art 1830-1900 . (3)



      ARTH 599. Master?s Thesis. (1-6, no limit ?)



      ARTH 699. Dissertation. (3-12, no limit ?)



      ARTS 106. Drawing I. (3)



      ARTS 121. Two-dimensional Design. (3)



      ARTS 123. Shop Foundations. (2)



      ARTS 125. Art Practices I. (3)



      ARTS 126. Art Practices II. (3)



      ARTS 130. Introduction to Electronic Art. (3)



      ARTS 141. Introduction to Art and Ecology. (3)



      ARTS 157. Small Scale Metal Construction I. (3 to a maximum of 6 ?)



      ARTS 168. Introduction to Ceramics. (3)



      ARTS 187. Introduction to Photography. (3)



      ARTS 188. Visualizing Ideas Using Photography. (3)



      ARTS 205. Drawing II. (3)



      ARTS 207. Painting I. (3)



      ARTS 208. Painting II. (3 to a maximum of 6 ?)



      ARTS 213. Sculpture I. (3)



      ARTS 231. Video Art I. (3)



      ARTS 232. Sound Art I. (3)



      ARTS 240. Inside the Outside: A Contemporary Survey of Ecological, Public, and Activist Art. (3)



      ARTS 241. Social and Public Ecological Art. (3)



      ARTS 257. Small Scale Metal Construction II. (3 to a maximum of 6 ?)



      ARTS 268. Ceramics: Materials and Aesthetics. (3)



      ARTS 274. Introduction to Printmaking. (3)



      ARTS 287. Black & White Photography. (3)



      ARTS 288. Color Techniques in Photography. (3)



      ARTS 289. Digital Imaging Techniques. (3)



      ARTS 305. Drawing III. (3 to a maximum of 6 ?)



      ARTS 308. Painting III. (3 to a maximum of 6 ?)



      ARTS 310. Figure Drawing. (3 to a maximum of 6 ?)



      ARTS 313. Intermediate Sculpture. (3 to a maximum of 6 ?)



      ARTS 320. The Phenomena of Color. (3 to a maximum of 6 ?)



      ARTS 330. Intermediate Electronic Art. (3 to a maximum of 9 ?)



      ARTS 331. Video Art II. (3 )



      ARTS 332. Sound Art II. (3 to a maximum of 6 ?)



      ARTS 335. Intaglio Printmaking I. (3 to a maximum of 6 ?)



      ARTS 336. Intaglio Printmaking II. (3 to a maximum of 6 ?)



      ARTS 345. Serigraphy. (3 to a maximum of 6 ?)



      ARTS 357. Small Scale Casting. (3 to a maximum of 6 ?)



      ARTS 358 / 458 / 558. Nature & Technology. (3 to a maximum of 6 ?)



      ARTS 367 [369]. Advanced Ceramics: Professional Practices Studio Arts Intensive I [Ceramics: Spatial Situations]. (3 to a maximum of 6 ?)



      ARTS 370 . Arita Porcelain Vessels . (3 to a maximum of 9 ? )



      ARTS 374. Lithography I. (3 to a maximum of 6 ?)



      ARTS 375. Lithography II. (3 to a maximum of 6 ?)



      ARTS 385. Non-Silver Photographic Process. (3)



      ARTS 387. Intermediate Photography. (3 to a maximum of 9 ?)



      ARTS 388. Photographic Lighting. (3)



      ARTS 389. Topics in Studio Art. (1-3, no limit ?)



      ARTS 394. Computer Generated Imagery and Animation. (3)



      ARTS 405. Advanced Drawing. (3 to a maximum of 9 ?)



      ARTS 407. Advanced Painting. (3 to a maximum of 9 ?)



      ARTS 408. Outdoor Studio. (1-3, may be repeated twice ?)



      ARTS 409 / 509. Advanced Video Art. (3 to a maximum of 6 ?)



      ARTS 413. Advanced Sculpture. (3 to a maximum of 12 ?)



      ARTS 429. Undergraduate Topics in Studio Art. (1-6 to a maximum of 15 ?)



      ARTS 431/ 531. Advanced Time-Based Media. (3 to a maximum of 6 ?)



      ARTS 432 / 532. Special Projects in Electronic Art I. (3 to a maximum of 12 ?)



      ARTS 433 / 533. Special Projects in Electronic Art II. (3 to a maximum of 12 ?)



      ARTS 434 / 534. Immersive Media. (3 to a maximum of 6 ?)



      ARTS 435 / 535. The Art of Transmission. (3 to a maximum of 6 ?)



      ARTS 441 / 541. Computational Sustainability. (3 )



      ARTS 442 / 542. Aesthetics of Sustainability Sculptural Infrastructure. (3 )



      ARTS 443 / 543. Aesthetics of Sustainable Landscapes. (3 )



      ARTS 457. Advanced Casting and Construction. (3 to a maximum of 12 ?)



      ARTS 458 / 358 / 558. Nature & Technology. (3 to a maximum of 6 ?)



      ARTS 461 / 561. Artifacts: Production, Use, Apprehension. (3 to a maximum of 6 ?)



      ARTS 462 / 562. Mapping: Body, Landscape, Memory. (3 to a maximum of 6 ?)



      ARTS 463 / 563. Place: Land, Civilization, Persona. (3 to a maximum of 6 ?)



      ARTS 464 / 564. Space: Expanse, Thresholds, Limits. (3 to a maximum of 6 ?)



      ARTS 468. Advanced Ceramics: Professional Practices Studio Arts Intensive II [Ceramics: Professional Practices]. (3 to a maximum of 12 ?)



      ARTS 469 / 569. Pueblo Pottery. (3)



      ARTS 470 / 570. Advanced Arita Porcelain Vessels. (3 to a maximum of 9 ?)



      ARTS 474. Advanced Printmaking. (3 to a maximum of 15 ?)



      ARTS 487. Advanced Interdisciplinary Portfolio. (3 to a maximum of 12 ?)



      ARTS 493. Seminar in Studio Art. (3 to a maximum of 6 ?)



      ARTS 494 / 594. Advanced Topics in Computer Generated Imaging. (3 to a maximum of 6 ?)



      ARTS 495. Independent Study. (3 to a maximum of 6 ?)



      ARTS 499. Honors Thesis. (3-6)



      ARTS 502. Interdisciplinary Seminar. (3)



      ARTS 505. Graduate Drawing and Painting. (3 to a maximum of 9 ?)



      ARTS 508. Graduate Outdoor Studio. (1-3, may be repeated twice)



      ARTS 509 / 409. Advanced Video Art. (3 to a maximum of 6 ?)



      ARTS 513. Graduate Sculpture. (3 to a maximum of 12 ?)



      ARTS 520. Graduate Phenomena of Color. (3)



      ARTS 529. Graduate Topics in Studio Art. (1-6 to a maximum of 12 ?)



      ARTS 531 / 431. Advanced Time-Based Media. (3 to a maximum of 6 ?)



      ARTS 532 / 432. Special Projects in Electronic Art I. (3 to a maximum of 12 ?)



      ARTS 533 / 433. Special Projects in Electronic Art II. (3 to a maximum of 12 ?)



      ARTS 534 / 434. Immersive Media. (3 to a maximum of 6 ?)



      ARTS 535 / 435. The Art of Transmission. (3 to a maximum of 6 ?)



      ARTS 541 / 441. Computational Sustainability. (3 )



      ARTS 542 / 442. Aesthetics of Sustainability Sculptural Infrastructure. (3)



      ARTS 543 / 443. Aesthetics of Sustainable Landscapes. (3 )



      ARTS 557. Graduate Casting and Construction. (3 to a maximum of 12 ?)



      ARTS 558 / 458 / 358. Nature & Technology. (3 to a maximum of 6 ?)



      ARTS 561 / 461. Artifacts: Production, Use, Apprehension. (3 to a maximum of 6 ?)



      ARTS 562 / 462. Mapping: Body, Landscape, Memory. (3 to a maximum of 6 ?)



      ARTS 563 / 463. Place: Land, Civilization, Persona. (3 to a maximum of 6 ?)



      ARTS 564 / 464. Space: Expanse, Thresholds, Limits. (3 to a maximum of 6 ?)



      ARTS 569 / 469. Pueblo Pottery. (3)



      ARTS 570 / 470. Advanced Arita Porcelain Vessels. (3 to a maximum of 9 ?)



      ARTS 574. Graduate Printmaking. (3 to a maximum of 15 ?)



      ARTS 587. Graduate Visual Art Seminar. (3 to a maximum of 15 ?)



      ARTS 593. Seminar in Studio Art. (3 to a maximum of 6 ?)



      ARTS 594 / 494. Advanced Topics in Computer Generated Imaging. (3 to a maximum of 6 ?)



      ARTS 595. Graduate Tutorial. (1-9 to a maximum of 21 ?)



      ARTS 699. Dissertation. (3-12, no limit ?)



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      Office of the Registrar

      MSC11 6325
      1 University of New Mexico
      Albuquerque, NM 87131

      Phone: (505) 277-8900
      Fax: (505) 277-6809