Music

101. Concert Music. (0, no limit Δ)


102. Music Theory for the Non-Major. (3)


104. Group Piano I for Non-Majors . (1)


105. Group Piano II for Non-Majors. (1)


109. Group Voice I. (1, no limit Δ)


110. Group Voice II. (1, no limit Δ)


111. Group Piano I. (1, no limit Δ)


112. Group Piano II. (1, no limit Δ)


116. Group Guitar I. (2)


117. Group Guitar II. (2)


130. Music Fundamentals. (3)


139. Music Appreciation. (3)


141. Popular World Music. (3)


142. Rock Music Appreciation. (3)


143. University Chorus. (1, no limit Δ)


150. Music Theory I. (2)


150L. Music Theory I Aural Lab. (2)


152. Music Theory II. (2)


152L. Music Theory II Aural Lab. (2)


170. String Pedagogy Seminar I. (2 to a maximum of 4 Δ)


170L. String Pedagogy Lab I. (1 to a maximum of 2 Δ)


172. Jazz History. (3)


209. Diction for Singers I. (2)


210. Diction for Singers II. (2)


211. Group Piano III. (1, no limit Δ)


212. Group Piano IV. (1, no limit Δ)


214. Piano Proficiency. (0)


223. Music in Culture. (3 to a maximum of 9 Δ)


231. Chamber Music. (1, no limit Δ)


232. Early Music Ensemble. (1, no limit Δ)


233. Symphony Orchestra. (1, no limit Δ)


234. Jazz Band. (1, no limit Δ)


236. Introduction to Improvisation. (1 to a maximum of 3 Δ)


237. Jazz Improvisation I. (1)


238. Jazz Theory/Keyboard. (2)


239. Spirit Marching Band. (1, no limit Δ)


240. Symphonic Band. (1, no limit Δ)


241. Wind Symphony. (1, no limit Δ)


242. Dolce Suono. (1, no limit Δ)


243. Concert Choir. (1, no limit Δ)


250. Music Theory III. (2)


250L. Music Theory III Aural Lab. (2)


252. Music Theory IV. (2)


252L. Music Theory IV Aural Lab. (2)


254. Introduction to Composition in the Western Tradition. (2)


270. String Pedagogy Seminar II. (2 to a maximum of 4 Δ)


270L. String Pedagogy Lab II. (1 to a maximum of 2 Δ)


293. Topics. (1-3)


305. Composition I. (2)


306. Composition II. (2)


309. Form and Analysis. (2)


311 / 511. Fundamentals of Music Technology. (2-3)


314. Theory and Composition Keyboard Proficiency. (0)


325 / 525. Post-Tonal Theory. (3)


330. Opera Studio. (1, no limit Δ)


336. Jazz Improvisation II. (1)


337. Jazz Improvisation III. (1)


338. Jazz Arranging. (2)


343. Selected Topics in Jazz Studies. (3, no limit Δ)


351. Undergraduate Problems. (1-3 to a maximum of 12 Δ)


361. History of Music I. (3)


362. History of Music II. (3)


363. Conducting. (2)


365. Instrumental Conducting. (2)


370. String Pedagogy Seminar III. (2 to a maximum of 4 Δ)


370L. String Pedagogy Lab III. (1 to a maximum of 2 Δ)


371. Music History for Non-Majors. (3)


375. The Beatles' Musical Revolution. (3)


376. Film Music History. (3)


380 / 580. Recording Techniques I. (2)


388 / 588. Music Pedagogy. (2, no limit Δ)


389 / 589. Music Pedagogy. (2, no limit Δ)


395 / 595. Accompanying. (1, no limit Δ)


405 / 505. Sixteenth-Century Counterpoint. (2)


406 / 506. Eighteenth-Century Counterpoint. (2)


407 / 507. Selected Topics in Music Composition. (2, no limit Δ)


412 / 512. Fundamentals of Audio Technology. (2-3)


413 / 513. Studies in Medieval and Renaissance Music. (3)


414 / 514. Studies in Baroque Music. (3)


415 / 515. Studies in Classic and Romantic Music. (3)


416 / 516. Studies in Twentieth-Century Music. (3)


421 / 521. Introduction to Max Programming for Musicians. (3)


422 / 522. Indigenous World Music. (3)


435 / 535. Special Topics in Music. (1-3, no limit Δ)


437 / 537. Selected Topics in Music Literature. (3, no limit Δ)


438 / 538. Selected Topics in Ethnomusicology. (3, no limit Δ)


439 / 539. Selected Topics in Music Theory. (3, no limit Δ)


444 / 544. Anthropology of World Beat. (3)


448 / 548. The Anthropology of Music and Sound. (3)


449 / 549. Music Repertory. (2, no limit Δ)


453. Orchestration. (2)


470. String Pedagogy Seminar IV. (2 to a maximum of 4 Δ)


470L. String Pedagogy Lab IV. (1 to a maximum of 2 Δ)


472. String Pedagogy Recital. (2)


481 / 581. Recording Techniques II. (2)


487 / 587. Contemporary Interdisciplinary Topics. (3 to a maximum of 6 Δ)


499. Senior Thesis. (3-6 to a maximum of 6 Δ)


500. Musicology Colloquium. (0, no limit Δ)


505 / 405. Sixteenth-Century Counterpoint. (2)


506 / 406. Eighteenth-Century Counterpoint. (2)


507 / 407. Selected Topics in Music Composition. (2, no limit Δ)


511 / 311. Fundamentals of Music Technology. (2-3)


512 / 412. Fundamentals of Audio Technology. (2-3)


513 / 413. Studies in Medieval and Renaissance Music. (3)


514 / 414. Studies in Baroque Music. (3)


515 / 415. Studies in Classic and Romantic Music. (3)


516 / 416. Studies in Twentieth-Century Music. (3)


521 / 421. Introduction to Max Programming for Musicians. (3)


522 / 422. Indigenous World Music. (3)


525 / 325. Post-Tonal Theory. (3)


527. Theory Pedagogy. (3)


531. Bibliography and Research. (3)


535 / 435. Special Topics in Music. (1-3, no limit Δ)


537 / 437. Selected Topics in Music Literature. (3, no limit Δ)


538 / 438. Selected Topics in Ethnomusicology. (3, no limit Δ)


539 / 439. Selected Topics in Music Theory. (3, no limit Δ)


540. Proseminar in Critical Musicology. (3)


541. Proseminar in Anthropology of Music. (3)


544 / 444. Anthropology of World Beat. (3)


548 / 448. The Anthropology of Music and Sound. (3)


549 / 449. Music Repertory. (2, no limit Δ)


551. Graduate Problems. (1-3 to a maximum of 12 Δ)


555. Graduate Diction for Singers. (2)


560. Ensemble Performance. (1, no limit Δ)


561. String Pedagogy I:. (2)


562. String Pedagogy II:. (2)


563. String Pedagogy III:. (2)


564. String Pedagogy IV:. (2)


566. String Pedagogy Project. (2)


567. Readings in String Pedagogy. (2)


571. Conducting Seminar. (2 to a maximum of 12 Δ)


572. Advanced Conducting Seminar. (2 to a maximum of 8 Δ)


580 / 380. Recording Techniques I. (2)


581 / 481. Recording Techniques II. (2)


584. Problems in Interdisciplinary Studies. (3 to a maximum of 6 Δ)


587 / 487. Contemporary Interdisciplinary Topics. (3 to a maximum of 6 Δ)


588 / 388. Music Pedagogy. (2, no limit Δ)


589 / 389. Music Pedagogy. (2, no limit Δ)


595 / 395. Accompanying. (1, no limit Δ)


599. Master's Thesis. (1-6, no limit Δ)


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Office of the Registrar

MSC 11 6325
1 University of New Mexico
Albuquerque, NM 87131

Phone: (505) 277-8900
Fax: (505) 277-6809