Music (MUS)

101. Concert Music. (0, no limit Δ)


102. Music Theory for the Non-Major. (3)


104. Group Piano I for Non-Majors. (1)


109. Group Voice I. (1, no limit Δ)


110. Group Voice II. (1, no limit Δ)


111. Group Piano I. (1, no limit Δ)


112. Group Piano II. (1, no limit Δ)


116. Group Guitar I. (2)


117. Group Guitar II. (2)


124. Group Violin I. (1, no limit Δ)


125. Group Violin II. (1, no limit Δ)


130. Music Fundamentals. (2)


130L. Music Fundamentals Aural Lab. (2)


139. Music Appreciation. (3)


141. Popular World Music. (3)


142. Rock Music Appreciation. (3)


143. University Chorus. (1, no limit Δ)


150. Music Theory I. (2)


150L. Music Theory I Aural Lab. (2)


152. Music Theory II. (2)


152L. Music Theory II Aural Lab. (2)


170. String Pedagogy Seminar I. (2, may be repeated once Δ)


170L. String Pedagogy Lab I. (1, may be repeated once Δ)


172. Jazz History. (3)


209. Diction for Singers I. (2)


210. Diction for Singers II. (2)


211. Group Piano III. (1, no limit Δ)


212. Group Piano IV. (1, no limit Δ)


214. Piano Proficiency. (0)


231. Chamber Music. (1, no limit Δ)


232. Early Music Ensemble. (1, no limit Δ)


236. Introduction to Improvisation. (1, may be repeated twice Δ)


237. Jazz Improvisation I. (1)


238. Jazz Theory/Keyboard. (2)


239. Spirit Marching Band. (1, no limit Δ)


250. Music Theory III. (2)


250L. Music Theory III Aural Lab. (2)


252. Music Theory IV. (2)


252L. Music Theory IV Aural Lab. (2)


254. Introduction to Composition in the Western Tradition. (2)


270. String Pedagogy Seminar II. (2, may be repeated once Δ)


270L. String Pedagogy Lab II. (1, may be repeated once Δ)


305. Composition I. (2)


306. Composition II. (2)


309. Form and Analysis. (2)


311 / 511. Fundamentals of Music Technology. (2-3)


314. Theory and Composition Keyboard Proficiency. (0)


325 / 525. Post-Tonal Theory. (3)


330. Opera Studio. (1, no limit Δ)


332. Sinfonia. (1, no limit Δ)


333 [233]. Symphony Orchestra. (1, no limit Δ)


334 [234]. Jazz Band. (1, no limit Δ)


336. Jazz Improvisation II. (1)


337. Jazz Improvisation III. (1)


338. Jazz Arranging. (2)


340 [240]. Symphonic Band. (1, no limit Δ)


341 [241]. Wind Symphony. (1, no limit Δ)


342 [242]. Dolce Suono. (1, no limit Δ)


343. Selected Topics in Jazz Studies. (3, no limit Δ)


344. Las Cantantes. (1, no limit Δ)


345. Chamber Singers. (1, may be repeated five times Δ)


348 [243]. Concert Choir. (1, no limit Δ)


351. Undergraduate Problems. (1-3 to a maximum of 12 Δ)


361. History of Music I. (3)


362. History of Music II. (3)


363. Conducting. (2)


365. Instrumental Conducting. (2)


370. String Pedagogy Seminar III. (2, may be repeated once Δ)


370L. String Pedagogy Lab III. (1, may be repeated once Δ)


371. Music History for Non-Majors. (3)


375. The Beatles' Musical Revolution. (3)


376. Film Music History. (3)


380 / 580. Recording Techniques I. (2)


388 / 588. Music Pedagogy. (2, no limit Δ)


389 / 589. Music Pedagogy. (2, no limit Δ)


395 / 595. Accompanying. (1, no limit Δ)


405 / 505. Sixteenth-Century Counterpoint. (2)


406 / 506. Eighteenth-Century Counterpoint. (2)


407 / 507. Selected Topics in Music Composition. (2, no limit Δ)


412 / 512. Fundamentals of Audio Technology. (2-3)


413 / 513. Studies in Medieval and Renaissance Music. (3)


414 / 514. Studies in Baroque Music. (3)


415 / 515. Studies in Classic and Romantic Music. (3)


416 / 516. Studies in Twentieth-Century Music. (3)


421 / 521. Introduction to Max Programming for Musicians. (3)


435 / 535. Special Topics in Music. (1-3, no limit Δ)


437 / 537. Selected Topics in Music Literature. (3, no limit Δ)


438 / 538. Selected Topics in Ethnomusicology. (3, no limit Δ)


439 / 539. Selected Topics in Music Theory. (3, no limit Δ)


442 / 542. Experimental Music Across the Americas. (3)


445 / 545. Country Music and Cultural Politics. (3)


447 / 547. Mexican Music Beyond Borders. (3)


448 / 548. The Anthropology of Music and Sound. (3)


449 / 549. Music Repertory. (2, no limit Δ)


453. Orchestration. (2)


468 / 568. Navajo Expressive Culture. (3)


470. String Pedagogy Seminar IV. (2, may be repeated once Δ)


470L. String Pedagogy Lab IV. (1, may be repeated once Δ)


472. String Pedagogy Recital. (2)


481 / 581. Recording Techniques II. (2)


487 / 587. Contemporary Interdisciplinary Topics. (3, may be repeated once Δ)


499. Senior Thesis. (3-6 to a maximum of 6 Δ)


500. Musicology Colloquium. (0, no limit Δ)


505 / 405. Sixteenth-Century Counterpoint. (2)


506 / 406. Eighteenth-Century Counterpoint. (2)


507 / 407. Selected Topics in Music Composition. (2, no limit Δ)


511 / 311. Fundamentals of Music Technology. (2-3)


512 / 412. Fundamentals of Audio Technology. (2-3)


513 / 413. Studies in Medieval and Renaissance Music. (3)


514 / 414. Studies in Baroque Music. (3)


515 / 415. Studies in Classic and Romantic Music. (3)


516 / 416. Studies in Twentieth-Century Music. (3)


521 / 421. Introduction to Max Programming for Musicians. (3)


525 / 325. Post-Tonal Theory. (3)


527. Theory Pedagogy. (3)


531. Bibliography and Research. (3)


535 / 435. Special Topics in Music. (1-3, no limit Δ)


537 / 437. Selected Topics in Music Literature. (3, no limit Δ)


538 / 438. Selected Topics in Ethnomusicology. (3, no limit Δ)


539 / 439. Selected Topics in Music Theory. (3, no limit Δ)


540. Proseminar in Critical Musicology. (3)


541. Proseminar in Anthropology of Music. (3)


542 / 442. Experimental Music Across the Americas. (3)


545 / 445. Country Music and Cultural Politics. (3)


547 / 447. Mexican Music Beyond Borders. (3)


548 / 448. The Anthropology of Music and Sound. (3)


549 / 449. Music Repertory. (2, no limit Δ)


551. Graduate Problems. (1-3 to a maximum of 12 Δ)


555. Graduate Diction for Singers. (2)


560. Ensemble Performance. (1, no limit Δ)


561. String Pedagogy I:. (2)


562. String Pedagogy II:. (2)


563. String Pedagogy III:. (2)


564. String Pedagogy IV:. (2)


566. String Pedagogy Project. (2)


567. Readings in String Pedagogy. (2)


568 / 468. Navajo Expressive Culture. (3)


571. Conducting Seminar. (2, may be repeated five times Δ)


572. Advanced Conducting Seminar. (2, may be repeated three times Δ)


580 / 380. Recording Techniques I. (2)


581 / 481. Recording Techniques II. (2)


584. Problems in Interdisciplinary Studies. (3, no limit Δ)


587 / 487. Contemporary Interdisciplinary Topics. (3, may be repeated once Δ)


588 / 388. Music Pedagogy. (2, no limit Δ)


589 / 389. Music Pedagogy. (2, no limit Δ)


595 / 395. Accompanying. (1, no limit Δ)


599. Master's Thesis. (1-6, no limit Δ)


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Office of the Registrar

MSC11 6325
1 University of New Mexico
Albuquerque, NM 87131

Phone: (505) 277-8900
Fax: (505) 277-6809