Music (MUS) *See also: (MUSC)

110. Group Voice II. (1, no limit Δ)


111. Group Piano I. (1, no limit Δ)


112. Group Piano II. (1, no limit Δ)


130L. Music Fundamentals Aural Lab. (2)


211. Group Piano III. (1, no limit Δ)


212. Group Piano IV. (1, no limit Δ)


231. Chamber Music. (0-1, may be repeated eleven times Δ [1, no limit Δ])


232. Early Music Ensemble. (0-1, may be repeated eleven times Δ [1, no limit Δ])


238. Jazz Theory/Keyboard. (2)


305. Composition I. (2)


306. Composition II. (2)


309. Form and Analysis. (2)


311 / 511. Fundamentals of Music Technology. (2-3)


314. Theory and Composition Keyboard Proficiency. (0)


325 / 525. Post-Tonal Theory. (3)


330. Opera Studio. (0-1, may be repeated eleven times Δ [1, no limit Δ])


332. Sinfonia. (0-1, may be repeated eleven times Δ [1, no limit Δ])


333. Symphony Orchestra. (0-1, may be repeated eleven times Δ [1, no limit Δ])


334. Jazz Band. (0-1, may be repeated eleven times Δ [1, no limit Δ])


336. Jazz Improvisation II. (1)


337. Jazz Improvisation III. (1)


338. Jazz Arranging. (2)


340. Symphonic Band. (0-1, may be repeated eleven times Δ [1, no limit Δ])


341. Wind Symphony. (0-1, may be repeated eleven times Δ [1, no limit Δ])


342. Dolce Suono. (0-1, may be repeated eleven times Δ [1, no limit Δ])


343. Selected Topics in Jazz Studies. (3, no limit Δ)


344. Las Cantantes. (0-1, may be repeated eleven times Δ [1, no limit Δ])


345. Chamber Singers. (0-1, may be repeated eleven times Δ [1, no limit Δ])


348. Concert Choir. (0-1, may be repeated eleven times Δ [1, no limit Δ])


351. Undergraduate Problems. (1-3 to a maximum of 12 Δ)


361. History of Music I. (3)


362. History of Music II. (3)


363. Conducting. (2)


365. Instrumental Conducting. (2)


370. String Pedagogy Seminar III. (2, may be repeated once Δ)


370L. String Pedagogy Lab III. (1, may be repeated once Δ)


375. The Beatles' Musical Revolution. (3)


376. Film Music History. (3)


380 / 580. Recording Techniques I. (2)


388 / 588. Music Pedagogy. (2, no limit Δ)


389 / 589. Music Pedagogy. (2, no limit Δ)


395 / 595. Accompanying. (1, no limit Δ)


405 / 505. Sixteenth-Century Counterpoint. (2)


406 / 506. Eighteenth-Century Counterpoint. (2)


407 / 507. Selected Topics in Music Composition. (2, no limit Δ)


412. Fundamentals of Audio Technology. (2-3)


414 / 514. Studies in Baroque Music. (3)


415 / 515. Studies in Classic and Romantic Music. (3)


416 / 516. Studies in Twentieth-Century Music. (3)


421 / 521. Introduction to Max Programming for Musicians. (3)


435 / 535. Special Topics in Music. (1-3, no limit Δ)


437 / 537. Selected Topics in Music Literature. (3, no limit Δ)


438 / 538. Selected Topics in Ethnomusicology. (3, no limit Δ)


439 / 539. Selected Topics in Music Theory. (3, no limit Δ)


442 / 542. Experimental Music Across the Americas. (3)


445 / 545. Country Music and Cultural Politics. (3)


447 / 547. Mexican Music Beyond Borders. (3)


448 / 548. The Anthropology of Music and Sound. (3)


449 / 549. Music Repertory. (2, no limit Δ)


453. Orchestration. (2)


468 / 568. Navajo Expressive Culture. (3)


470. String Pedagogy Seminar IV. (2, may be repeated once Δ)


470L. String Pedagogy Lab IV. (1, may be repeated once Δ)


472. String Pedagogy Recital. (2)


481 / 581. Recording Techniques II. (2)


487 / 587. Contemporary Interdisciplinary Topics. (3, may be repeated once Δ)


499. Senior Thesis. (3-6 to a maximum of 6 Δ)


500. Musicology Colloquium. (0, no limit Δ)


505 / 405. Sixteenth-Century Counterpoint. (2)


506 / 406. Eighteenth-Century Counterpoint. (2)


507 / 407. Selected Topics in Music Composition. (2, no limit Δ)


511 / 311. Fundamentals of Music Technology. (2-3)


514 / 414. Studies in Baroque Music. (3)


515 / 415. Studies in Classic and Romantic Music. (3)


516 / 416. Studies in Twentieth-Century Music. (3)


520. Music Through the Masters. (3)


521 / 421. Introduction to Max Programming for Musicians. (3)


523. Graduate Aural Skills Boot Camp. (3)


525 / 325. Post-Tonal Theory. (3)


527. Theory Pedagogy. (3)


530. Music Literature and Analysis. (3)


531. Bibliography and Research. (3)


535 / 435. Special Topics in Music. (1-3, no limit Δ)


537 / 437. Selected Topics in Music Literature. (3, no limit Δ)


538 / 438. Selected Topics in Ethnomusicology. (3, no limit Δ)


539 / 439. Selected Topics in Music Theory. (3, no limit Δ)


540. Proseminar in Critical Musicology. (3)


541. Proseminar in Anthropology of Music. (3)


542 / 442. Experimental Music Across the Americas. (3)


545 / 445. Country Music and Cultural Politics. (3)


547 / 447. Mexican Music Beyond Borders. (3)


548 / 448. The Anthropology of Music and Sound. (3)


549 / 449. Music Repertory. (2, no limit Δ)


551. Graduate Problems. (1-3 to a maximum of 12 Δ)


555. Graduate Diction for Singers. (2)


560. Ensemble Performance. (0-1, may be repeated eleven times Δ [1, no limit Δ])


561. String Pedagogy I:. (2)


562. String Pedagogy II:. (2)


563. String Pedagogy III:. (2)


564. String Pedagogy IV:. (2)


566. String Pedagogy Project. (2)


567. Readings in Pedagogy [Readings in String Pedagogy]. (2)


568 / 468. Navajo Expressive Culture. (3)


571. Conducting Seminar. (2, may be repeated five times Δ)


572. Advanced Conducting Seminar. (2, may be repeated three times Δ)


580 / 380. Recording Techniques I. (2)


581 / 481. Recording Techniques II. (2)


584. Problems in Interdisciplinary Studies. (3, no limit Δ)


587 / 487. Contemporary Interdisciplinary Topics. (3, may be repeated once Δ)


588 / 388. Music Pedagogy. (2, no limit Δ)


589 / 389. Music Pedagogy. (2, no limit Δ)


595 / 395. Accompanying. (1, no limit Δ)


599. Master's Thesis. (1-6, no limit Δ)


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Office of the Registrar

MSC11 6325
1 University of New Mexico
Albuquerque, NM 87131

Phone: (505) 277-8900
Fax: (505) 277-6809