James D. Stone, Chairperson
Department of Film and Digital Arts
CERIA, Room 370
MSC04 2570
1 University of New Mexico
Albuquerque, NM 87131-0001
(505) 277-6262, FAX (505) 277-6314
Associate Professors
Susan Dever, Ph.D., Stanford University
Nina Fonoroff, M.F.A., San Francisco Art Institute
Deborah Fort, M.F.A., San Francisco Art Institute
James D. Stone, Ph.D., University of New Mexico
The Department of Film and Digital Arts is dedicated to the study and practice of film, video, animation, and gaming as art. Students gain a rigorous foundation in aesthetics and theory, along with technical and artistic expertise in the moving image arts. Faculty and students interact productively with the state film community, creating strategic partnerships that enhance student learning and career prospects.
Department faculty are screenwriters, computer graphics experts, filmmakers, photographers, cinematographers, virtual reality pioneers, cultural theorists, and film historians. Department alumni enjoy success at renowned institutions such as Lucasfilm, Industrial Light and Magic (ILM), Google, Netflix, and Warner Bros. Many are instrumental in the growth of New Mexico’s thriving film industry.
The department also offers undergraduate minors in Animation, Film History and Criticism, Film Production, and Gaming.
The Bachelor of Arts in Film and Digital Arts (B.A.) program includes concentration study as described below.
The Bachelor of Fine Arts in Film and Digital Arts (B.F.A.) program provides students with a focus on moviemaking, acquiring the technical and artistic skills to succeed on the set. The program's emphasis on screenwriting, cinematography, producing, and directing prepares students to lead and influence the creative process. The B.F.A. culminates in a yearlong capstone project in which students, working in teams, take a leading role in the creation of an original movie.
Department fees support the purchase, maintenance, and replacement of cameras, filmmaking equipment, computers, software, and film rentals and purchases.
Courses
FDMA 1210.
Digital Video Production I.
(3)
An introduction to digital video production. Students learn camera operation, lights and audio equipment. Hands-on production is completed in the studio and on location. Special fee required.
FDMA 1520.
Introduction to Digital Media [Introduction to Film and Digital Media].
(3)
This course is designed to provide students with a survey of the histories, innovative concepts, and creative possibilities of digital media. Within both the lecture hall and the studio lab, students will consider a wide variety of digital media processes and applications. Additionally, students will learn fundamental skills in teamwork, storytelling, and design.
Meets New Mexico General Education Curriculum Area 4: Social and Behavioral Sciences.
FDMA 1996.
Topics.
(1-3, no limit Δ)
FDMA 2110.
Introduction to Film Studies.
(3)
This course introduces students to the fundamentals in film history, criticism, and theory. Though viewing and analysis of a variety of narrative, documentary, and experimental films, students will advance their understanding of key issues in filmic representation and aesthetics. A range of approaches will be employed in understanding the aesthetic and cultural significance of the medium, including feminism, post-colonialism, critical race theory, and modernism. Special fee required.
Meets New Mexico General Education Curriculum Area 7: Arts and Design.
FDMA 2195.
Beyond Hollywood.
(3)
This course concentrates on the representation of children and adolescents in world cinema. The portrayal of children throughout world cinema has a long and rich complex history, which has been primarily shaped by family and national structures. Through film screenings, readings, and discussions class will center on the exploration of what it means to look at children and what cultural baggage are their bodies asked to carry. Also, what impact do national and global politics have on the lives of children? Through the establishment and use of basic vocabulary and analytic methodologies of film studies, larger theoretical and practical questions about how cinema functions as a cultural and ideological force, especially how it helps to construct ideas about the family, the nation, and national identities will be addressed. Class screenings will cover a breadth of children and adolescents in world cinema but readings, discussions, and outside film viewings will provide a more comprehensive overall picture. Special fee required.
FDMA 2280.
Topics in Videomaking.
(3, may be repeated once Δ)
These courses strengthen students’ skills in video technology while helping them write, direct, and edit video projects that begin to reflect a personal, artistic vision. Special fee required.
Prerequisite: 1210.
FDMA 2286.
Activating Digital Space.
(3)
This class introduces students to the techniques of dramatic narrative and how those techniques can inform a visual grammar where form follows function.
Prerequisite: 1210.
FDMA 2520.
Introduction to Cinematography.
(3)
The Director of Photography (or Cinematographer), in close collaboration with the Director and Production Designer, helps determine the look of a film. This course is designed to introduce students to the technical and aesthetic fundamentals of creating, developing, and collaborating on the visual elements of storytelling, using camera framing, lensing, and lighting fundamentals such as shadows, light and color.
Prerequisite: 2525.
FDMA 2525 [MA 220].
Video Production II [Intermediate Production Workshop].
(3)
An in-depth exploration of digital video production, including camera, lighting and sound production techniques for studio and field production. This class will help the filmmaker visualize and execute a digital film in a real-world team environment.
Prerequisite: 1210.
FDMA 2530.
Introduction to 3D Modeling.
(3)
This course will introduce 3D modeling methods and current practices. Students will learn preliminary and detailed modeling techniques using industry standard software. Methods will emphasize formal and functional aspects of modeling as they apply to mechanical, organic, and sculpted topology for application in animation, games, and information media.
FDMA 2610.
Directing I.
(3)
Introduction to the creative process of a film director. Students will participate in hands-on workshops and develop stories for motion media, create screenplays and work with actors in short scenes using current technologies in film, television and web-based media production.
Prerequisite: 1210 and (310 or 324).
FDMA 2714.
Introduction to Animation.
(3)
This course will be entirely focused on laying the foundation of animation around the twelve principles of animation as defined by Disney master animators Frank Thomas and Ollie Johnston.
FDMA 2768.
Introduction to Game Development.
(3)
In tandem with innovations of modern computing machines, people have been devising ways to "play" with these systems through programming games on these devices. Video games have matured into an expressive medium rooted in using algorithms as the means for constructing interactive experiences. Building these games requires an understanding on principles of interactive design, computer science, and storytelling.
Prerequisite: CS 105L or CS 152L.
FDMA 2996.
Topics.
(1-6, no limit Δ)
FDMA 300.
Critical Intermediations.
(3)
Examines new media technologies from a transdisciplinary perspective by exploring how the use of new media is affecting academic practice across disciplines. Proposes the development of a critical analytical framework for approaching new media.
FDMA 302.
Digital Game Design.
(3)
The philosophy of games, game design process, and player psychology. Includes the steps to designing a digital game, from concept and storyboarding to understanding the underlying technical mechanics.
FDMA 303.
Moving Image Art.
(3)
Creative laboratory exploring aesthetic and theoretical issues relating to moving image art, new media technology, and the creative process. Critiques, technical instruction, and lectures on moving image art history and theory.
Prerequisite: 1210.
FDMA 304.
Experiments in Cinema.
(3)
Work to produce an international, experimental film and video festival. Learn grant writing, the curatorial process, hospitality, promotion, public relations, and the history of film festivals.
FDMA 308 / *408.
Latin American Film.
(3)
This course surveys key moments in Latin American cinema including Mexico’s influential “Golden Age” of the 1940s and various “new cinemas” of the ’60s and ’70s. Also considered are Hollywood films about Latin America. Special fee required.
FDMA 310.
Writing Digital Narrative.
(3)
The goal of this course is to offer students an overview of issues on writing for digital media; its objective is to create successful, media-savvy writers, who work across digital platforms.
FDMA 311.
Fundamentals of Music Technology.
(2-3)
(Also offered as MUS 311 / 511)
A hands-on introduction to various computer applications useful to musicians in all areas of specialization. Various computer programs aiding in music notation, arranging and MIDI composition will be presented and explored.
FDMA 313 / *413 [313].
Avant-Garde Film History.
(3)
Looks at major trends in avant-garde, experimental, and underground filmmaking movements and the artists working outside the boundaries of institutionalized cinema to explore new perceptual frontiers.
FDMA 314 / *414 [314].
History of Animation.
(3)
Traces the development of animation from its earliest filmic examples to the present day, including technological advancements and aesthetic shifts. Covers celluloid, stop-motion, and computer animation history.
FDMA 324.
Introduction to Screenwriting.
(3, may be repeated once Δ)
(Also offered as ENGL 324)
Writing workshop on basics of character structure, scenes, visualization, and good old story telling as it applies to the screenplay. Students read scripts, watch film clips, and begin writing an original screenplay.
FDMA 326 / *426.
History of Film I.
(3)
History of the motion picture from its beginnings to the era of sound. Screening and analysis of major films. Special fee required. May not receive credit for both 326 and *426.
Prerequisite: 2110.
FDMA 327 / *427.
History of Film II.
(3)
History of the motion picture from the advent of sound to the present day. Screening and analysis of major films. Special fee required. May not receive credit for both 327 and *427.
Prerequisite: 2110.
FDMA 330.
Studies in Film.
(3, no limit Δ)
Studies in film and video genres, regional and national cinemas, and the work of individual artists. Special fee required. May be repeated if subject matter varies.
FDMA 331 / *431.
Film Theory.
(3)
A lecture survey of major currents in film theory from film’s beginnings to the present. Screening and analysis of major films. May not receive credit for both 331 and *431. Special fee required.
Prerequisite: 2110.
FDMA 332 / *432.
Documentary Film History and Theory.
(3)
History and theory of documentary, with emphasis on how this knowledge is applied in the making of a documentary. Screenings of work by Robert Flaherty, Trinh T. Minh-ha, and others. Special fee required.
FDMA 334 / *434.
Teen Rebels.
(3)
An examination of Hollywood films of the 1950s, ’60s and ’70s, whose youthful main characters challenge convention and authority. Special fee required.
FDMA 335 / *435.
International Horror Film.
(3)
A study of major horror films from various countries, with related readings in fiction, philosophy, psychology, and film studies. Classics such as Nosferatu and Frankenstein are screened. Special fee required.
FDMA 336 / *436.
Images of (Wo)men.
(3)
Our study will regard films about women, men, and everybody else. With feminism, queer theory, critical race studies, and transgender film theory, we’ll consider cinema from “women’s pictures” to films about the permutations of gender. Special fee required.
FDMA 337 / *437.
Alfred Hitchcock.
(3)
An exploration of cinematic suspense, surprise, and shock in relation to Hitchcock’s cinema. Special fee required.
FDMA 339.
Russian Culture and History through Film.
(3)
(Also offered as HIST 335; RUSS 339)
In this course we study films and read secondary sources from the Soviet and post-Soviet eras (with English subtitles) and examine how they comment on current Russian social and cultural issues. Taught in English. Special fee required.
FDMA 350.
Advanced Screenwriting.
(3)
A continuation of Introduction to Screenwriting, this course is a workshop designed to assist the writer in completing scripts for a feature film, two episodes of a television series, or a series of short films.
Prerequisite: 324 or ENGL 324.
FDMA 375.
Producing for Film and Digital Media.
(3)
(Also offered as ALBS 375)
Students will learn roles of the motion picture producer, acquiring the skills to produce a film or digital media project. Includes choosing a viable project and optioning, developing and preparing for pre-production, production, and post-production.
FDMA 390.
Topics in the Elements of Filmmaking.
(3, no limit Δ)
Practicum in basic conceptual aspects of independent filmmaking. Each student creates cinematic work in this course. Special fee required.
FDMA 391.
16mm Filmmaking.
(3 to a maximum of 6 Δ)
This course provides an introduction to basic 16mm filmmaking techniques, with an emphasis on film as a creative art form. Students take up all aspects of filmmaking, from pre-production planning through the final edit. Special fee required.
FDMA 400.
Ethics, Science and Technology.
(3)
Ethical issues arising from the impact of science and technology on the personal, social and political dimensions of culture or what happens and who takes responsibility when the genie is out of the bottle?
FDMA *401 [401].
Digital Post Production.
(3)
Designed to expand awareness of the elements of film and video post-production, with emphasis on expanding skills as an editor. Develops competence with tools to practice the art of the editor effectively.
Prerequisite: 1210.
FDMA *402 [402].
Documentary Film Production.
(3)
Hands-on workshop introduces tools and methods of video making in the genre of "creative nonfiction". Emphasizes development of personal approaches to the creative process, technical skills, and familiarity with the documentary form.
Prerequisite: 1210.
FDMA *403 [403].
Advanced Game Development.
(3)
Expands on ideas developed in the introductory course, including new techniques and tools for game development. Students work in collaborative, interdisciplinary game development teams.
Prerequisite: 2768.
FDMA *404 [404].
Advanced Animation.
(3)
Analyze and implement correct physical movement of the human body using animation software. Create solid, finished looking animation for bipedal characters with believable and meaningful performances, including facial animation and speech.
Prerequisite: 2714.
FDMA *405 [405].
Advanced Maya Production.
(3)
Production ready techniques in 3D Computer Graphics and Visual Effects creation, including advanced modeling, rigging, animation, camera mapping and projection, and rendering and compositing using Maya.
Prerequisite: 2530.
FDMA *406 [406].
Virtual Reality Cinema.
(3)
The basics of virtual reality cinema, game building, user experience design, how to make spherical videos for use in virtual reality head mounted displays, and how augmented reality apps work.
Prerequisite: 1210.
FDMA *407 [407].
Compositing for Visual Effects.
(3)
The basics of digital compositing, the art of combining and manipulating images for CGI, special effects, and animation.
FDMA *408 / 308.
Latin American Film.
(3)
This course surveys key moments in Latin American cinema including Mexico’s influential “Golden Age” of the 1940s and various “new cinemas” of the ’60s and ’70s. Also considered are Hollywood films about Latin America. Special fee required.
FDMA *409.
Advanced Video Art.
(3, may be repeated once Δ)
This class helps students to develop more complex artistic statements on video. Critiques of student work, plus readings and discussions about various arts and media. Special fee required.
Prerequisite: 303.
FDMA *410 [410].
The Business and Law of Film and New Media.
(3)
This course will introduce students to the business and legal aspects of creating a new digital media venture including: concept formation; marketing; budget development; finding financing; forming a company; hiring and managing employees; and sales.
Restriction: junior or senior standing.
FDMA *411 [411].
Advanced Cinematography.
(3)
Work with modern digital professional camera systems, building an understanding of cinematographic techniques, practices, and aesthetics. Use light, color, camera movement, composition, and lens selection to develop cinematic emotions.
Prerequisite: 2520.
FDMA 412.
Fundamentals of Audio Technology.
(2-3)
(Also offered as MUS 412 / 512)
Audio editing and equipment and basics of recordings through lab experiences and creative projects. Includes fundamentals of the physics of sound and analysis.
FDMA *413 / 313.
Avant-Garde Film History.
(3)
Looks at major trends in avant-garde, experimental, and underground filmmaking movements and the artists working outside the boundaries of institutionalized cinema to explore new perceptual frontiers.
FDMA *414 / 314 [314].
History of Animation.
(3)
Traces the development of animation from its earliest filmic examples to the present day, including technological advancements and aesthetic shifts. Covers celluloid, stop-motion, and computer animation history.
FDMA *426 / 326.
History of Film I.
(3)
History of the motion picture from its beginnings to the era of sound. Screenings and analysis of major films. Special fee required. May not receive credit for both 326 and *426.
Prerequisite: 2110.
FDMA *427 / 327.
History of Film II.
(3)
History of the motion picture from the advent of sound to the present day. Screenings and analysis of major films. Special fee required. May not receive credit for both 327 and *427.
Prerequisite: 2110.
FDMA *429.
Topics in Production.
(1-3, no limit Δ)
Workshops in specific production topics conducted by guest artists in film and video as their schedules permit. May be repeated if subject matter varies. Special fee required.
Prerequisite: 1210.
FDMA *430.
Topics in Film History.
(3, no limit Δ)
Studies in film and video genres, regional and national cinemas, and the work of individual artists. Special fee required.
May be repeated if subject matter varies.
FDMA *431 / 331.
Film Theory.
(3)
A lecture survey of major currents in film theory from film’s beginnings to the present. Screening and analysis of major films. May not receive credit for both 331 and *431. Special fee required.
Prerequisite: 2110.
FDMA *432 / 332.
Documentary Film History and Theory.
(3)
History and theory of documentary, with emphasis on how this knowledge is applied in the making of a documentary. Screenings of work by Robert Flaherty, Trinh T. Minh-ha, and others. Special fee required.
FDMA *434 / 334.
Teen Rebels.
(3)
An examination of Hollywood films of the 1950s, ’60s and ’70s, whose youthful main characters challenge convention and authority. Special fee required.
FDMA *435 / 335.
International Horror Film.
(3)
A study of major horror films from various countries, with related readings in fiction, philosophy, psychology, and film studies. Classics such as Nosferatu and Frankenstein are screened. Special fee required.
FDMA *436 / 336.
Images of (Wo)men.
(3)
Our study will regard films about women, men, and everybody else. With feminism, queer theory, critical race studies, and transgender film theory, we’ll consider cinema from “women’s pictures” to films about the permutations of gender. Special fee required.
FDMA *437 / 337.
Alfred Hitchcock.
(3)
An exploration of cinematic suspense, surprise, and shock in relation to Hitchcock’s cinema. Special fee required.
FDMA 450.
Capstone I: Senior Film Projects [Capstone I: Senior Projects].
(4)
Students are required to form interdisciplinary collaborative teams that will develop and plan project ideas.
Prerequisite: (2520 or 2610 or 303 with a minimum grade of "B") and 2525 with a minimum grade of "B" and (310 or 324 with a minimum grade of "B") and *401 with a minimum grade of "B".
Restriction: admitted to B.F.A. Film and Digital Arts; and senior standing; and permission of department.
FDMA 451.
Capstone II: Senior Film Projects [Capstone II: Senior Projects].
(4)
Collaborative teams execute projects and give open demonstration of the results.
Prerequisite: 450.
Restriction: admitted to B.F.A. Film and Digital Arts; and senior standing; and permission of department.
FDMA 452.
Capstone I: Senior Gaming Projects.
(4)
Students are required to form interdisciplinary collaborative teams that will develop and plan gaming project ideas. For students in the B.A. Film and Digital Arts concentration in Gaming.
Prerequisite: 302 with a minimum grade of "B" and (310 or 324 with a minimum grade of "B") and *403 with a minimum grade of "B".
Restriction: admitted to B.A. Film and Digital Arts; and senior standing; and permission of department.
FDMA 453.
Capstone II: Senior Gaming Projects.
(4)
Collaborative teams execute gaming projects and give open demonstration of the results. For students in the B.A. Film and Digital Arts concentration in Gaming.
Prerequisite: 452.
Restriction: admitted to B.A. Film and Digital Arts; and senior standing; and permission of department.
FDMA 454.
Capstone I: Senior Animation Projects.
(4)
Students are required to form interdisciplinary collaborative teams that will develop and plan animation project ideas. For students in the B.A. Film and Digital Arts concentration in Animation.
Prerequisite: (310 or 324 with a minimum grade of "B") and *404 with a minimum grade of "B" and *405 with a minimum grade of "B".
Restriction: admitted to B.A. Film and Digital Arts; and senior standing; and permission of department.
FDMA 455.
Capstone II: Senior Animation Projects.
(4)
Collaborative teams execute animation projects and give open demonstration of the results. For students in the B.A. Film and Digital Arts concentration in Animation.
Prerequisite: 454.
Restriction: admitted to B.A. Film and Digital Arts; and senior standing; and permission of department.
FDMA *485.
Problems in Interdisciplinary Studies.
(3 to a maximum of 6 Δ)
(Also offered as ARTH, MUS 584)
An independent study in either critical studies or studio, beyond the scope of the Fine Arts interdisciplinary courses, which may occur within or outside the College of Fine Arts. Special fee required.
Restriction: permission of instructor.
FDMA *487.
Contemporary Interdisciplinary Topics.
(3, may be repeated once Δ)
(Also offered as ARTH, DANC, MUS, THEA 487 / 587)
Analyzes major instances of interdisciplinary influence and collaboration in the present day. Special fee required.
Restriction: permission of instructor.
FDMA *491 [491].
Topics in Film and Digital Media.
(1-3, no limit Δ)
This course allows permanent or visiting faculty to develop a course based on a topic related to digital media, and may include courses in career development for media industries.
FDMA 492.
Film and Digital Arts Internship.
(1-12 to a maximum of 12 Δ)
Real-world experience for students to build film and digital media arts skills in the context of the organization's products or services. Students must possess minimum overall grade-point-average of 2.5 to enroll.
Offered on a CR/NC basis only.
Prerequisite: at least 9 credit hours in FDMA courses, with at least one FDMA 300-level course.
Restriction: admitted or preadmitted to B.F.A. Film and Digital Arts; and permission of department.
FDMA 496 / 596.
Undergraduate Production Project.
(1-3 to a maximum of 24 Δ)
Film and Digital Arts majors undertake individual projects and internships that arise outside the boundaries of other FDMA production courses. The student will enlist the support of a department faculty member to enroll. Special fee required.
Restriction: permission of instructor.
FDMA 497 / 597.
Undergraduate Independent Study.
(2-3 to a maximum of 24 Δ)
Individual investigation or reading, plus the writing of an essay, under faculty direction. Special fee required.
Restriction: permission of instructor.
FDMA 499.
Honors Thesis.
(3-6 to a maximum of 6 Δ)
Directed independent study in a field of special interest, culminating in a written thesis and, if appropriate, a film or video project. Open only by invitation to department honors candidates. Special fee required.
FDMA 596 / 496.
Graduate Production Project.
(1-3 to a maximum of 24 Δ)
Film and Digital Arts majors undertake individual projects and internships that arise outside the boundaries of other FDMA production courses. The student will enlist the support of a department faculty member to enroll. Special fee required.
Restriction: permission of instructor.
FDMA 597 / 497.
Graduate Independent Study.
(2-3 to a maximum of 24 Δ)
Individual investigation or reading, plus the writing of an essay, under faculty direction. Special fee required.
Restriction: permission of instructor.
